{"id":11876,"date":"2010-05-29T13:27:47","date_gmt":"2010-05-29T17:27:47","guid":{"rendered":"http:\/\/fryeblog.blog.lib.mcmaster.ca\/?p=11876"},"modified":"2010-05-29T13:27:47","modified_gmt":"2010-05-29T17:27:47","slug":"frye-on-the-group-of-seven","status":"publish","type":"post","link":"https:\/\/macblog.mcmaster.ca\/fryeblog\/2010\/05\/29\/frye-on-the-group-of-seven\/","title":{"rendered":"Frye on the Group of Seven"},"content":{"rendered":"<p><a href=\"http:\/\/macblog.mcmaster.ca\/fryeblog\/wp-content\/uploads\/sites\/4\/2010\/05\/ayjacksonredmaple.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11878\" src=\"http:\/\/macblog.mcmaster.ca\/fryeblog\/wp-content\/uploads\/sites\/4\/2010\/05\/ayjacksonredmaple.jpg\" alt=\"ayjacksonredmaple\" width=\"450\" height=\"360\" srcset=\"https:\/\/macblog.mcmaster.ca\/fryeblog\/wp-content\/uploads\/sites\/4\/2010\/05\/ayjacksonredmaple.jpg 500w, https:\/\/macblog.mcmaster.ca\/fryeblog\/wp-content\/uploads\/sites\/4\/2010\/05\/ayjacksonredmaple-300x240.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<p><em>A. Y. Jackson, &#8220;Red Maple&#8221;<\/em><\/p>\n<p>Jeff Mahoney of the <em>Hamilton Spectator<\/em> has an <a href=\"http:\/\/www.thespec.com\/News\/Local\/article\/777926\" target=\"_blank\">article<\/a> today about a Westdale couple who&#8217;ve hunted down scores of locations featured in the paintings of the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Group_of_Seven_%28artists%29\" target=\"_blank\">Group of Seven<\/a>.\u00a0 This provides a nice opportunity to cite Frye on that remarkable group of painters.<\/p>\n<p>From &#8220;Canadian Scene: Explorers and Observers&#8221;:<\/p>\n<blockquote><p>&#8220;[T]he primary rhythm of English Canadian painting has been a forward-thrusting rhythm, a drive which has its origin in Europe, and is therefore conservative and romantic in feeling, strongly attached to the British connection but &#8216;federal&#8217; in it attitude to Canada, much possessed by the national motto, <em>a mari usque ad mare<\/em>.\u00a0 It starts with the documentary painters who, like Paul Kane, have provided such lively and varied glimpses of so many vanished aspects of the country, especially of Indian life.\u00a0 A second wave began with Tom Thomson, continued through the Group of Seven, and has a British Columbia counterpart in Emily Carr.\u00a0 (The romantic side of the movement is reflected in the name &#8216;Group of Seven&#8217; itself: there were never really more than six, in fact there effectively only five, but seven is a sacred number, and the group had a strong theosophical bent.)\u00a0 One notices in these painting how the perspective is so frequently a twisting and scanning perspective, a canoeman&#8217;s eye peering around the corner to see what comes next.\u00a0 Thomson in particular uses the conventions of <em>art nouveau<\/em> to throw up in front of the canvas a fringe of foreground which is rather blurred, because the eye is meant to look past it.\u00a0 It is a perspective which reminds us how much Canada developed as a passage or gateway to somewhere else, being merely an obstruction in itself.\u00a0 Further, a new world is being discovered.\u00a0 There is an immense difference in felling between north and south Canada, but as north Canada is practically uninhabited, it exists in Canadian painting only through southern eyes.\u00a0 In those eyes it is a &#8220;solemn land&#8221; as frightening and fantastic as the moon.\u00a0 (<em>CW <\/em>12, 422-3)<\/p><\/blockquote>\n<p>From &#8220;Lawren Harris&#8221;:<\/p>\n<blockquote><p>As a rule, when associations are formed by youthful artists, they break up as the styles of the artists composing them become more individual.\u00a0 But the Group of Seven, who did so much to revitalize Canadian painting in the &#8217;20s and later of this century, still retain some of the characteristics of a group.\u00a0 Seven is a sacred number, and the identity of the seventh, like the light of the seventh star of the Pleiades, has fluctuated somewhat, attached to different painters at different times.\u00a0 But the permanent six, of whom four are still with us, have many qualities in common, both as painters and in fields outside painting.\u00a0 For one thing, they are, for painters, unusually articulate in words.\u00a0 J.E.H. MacDonald and Lawren Harris wrote poetry; Harris, as his book shows, wrote also a great deal of critical prose; A.Y. Jackson produced a most entertaining autobiography; Arthur Lismer, through his work as educator and lecturer, would still be one of the greatest names in the history of Canadian art even if he had never painted a canvas.\u00a0 For another, they shared certain intellectual interests.\u00a0 They felt themselves part of the movement towards the direct imaginative confrontation with the North American landscape which, for them, began in literature with Thoreau and Whitman.\u00a0 Out of this developed an interest for which the word theosophical would not be too misleading if understood, not in any sectarian sense, but as meaning a commitment to painting as a way of life, or, perhaps better, as a sacramental activity expressing a faith, and so analogous to the practicing of a religion.\u00a0 This is a Romantic view, following the tradition that begins in English poetry with Wordsworth.\u00a0 While the Group of Seven were most active, Romanticism was going out of fashion elsewhere.\u00a0 But the nineteen-sixties is once again a Romantic period, in fact almost oppressively so, so it seems a good time to see such an achievement as that of Lawren Harris in better perspective.\u00a0 (<em>CW <\/em>12, 398-9)<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>A. Y. Jackson, &#8220;Red Maple&#8221; Jeff Mahoney of the Hamilton Spectator has an article today about a Westdale couple who&#8217;ve hunted down scores of locations featured in the paintings of the Group of Seven.\u00a0 This provides a nice opportunity to cite Frye on that remarkable group of painters. From &#8220;Canadian Scene: Explorers and Observers&#8221;: &#8220;[T]he [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[18],"tags":[],"class_list":["post-11876","post","type-post","status-publish","format-standard","hentry","category-canada"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Frye on the Group of Seven - The Educated Imagination<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/macblog.mcmaster.ca\/fryeblog\/2010\/05\/29\/frye-on-the-group-of-seven\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Frye on the Group of Seven - The Educated Imagination\" \/>\n<meta property=\"og:description\" content=\"A. Y. Jackson, &#8220;Red Maple&#8221; Jeff Mahoney of the Hamilton Spectator has an article today about a Westdale couple who&#8217;ve hunted down scores of locations featured in the paintings of the Group of Seven.\u00a0 This provides a nice opportunity to cite Frye on that remarkable group of painters. 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