{"id":23954,"date":"2011-06-16T00:16:02","date_gmt":"2011-06-16T04:16:02","guid":{"rendered":"http:\/\/fryeblog.blog.lib.mcmaster.ca\/?p=23954"},"modified":"2011-06-16T00:16:02","modified_gmt":"2011-06-16T04:16:02","slug":"bloomsday-2","status":"publish","type":"post","link":"https:\/\/macblog.mcmaster.ca\/fryeblog\/2011\/06\/16\/bloomsday-2\/","title":{"rendered":"Bloomsday"},"content":{"rendered":"

\"\"<\/a><\/p>\n

It’s Bloomsday<\/a>.<\/p>\n

Radio Bloomsday will be reading the text all day. You can listen to it here<\/a>.<\/p>\n

From Frye’s review of New Directions in Prose and Poetry<\/em> in Canadian Forum<\/em> (December 1942):<\/p>\n

Pendulum theories of art don’t work. Poems and pictures are real things; “tradition” and “experiment” are abstract nouns. To judge a concrete thing in terms of one abstract quality is to study it in one of many possible aspects. Which may well be worth doing. But to look at all art as split down the middle into an antithesis of abstract qualities hamstrings all criticism and insults all masterpieces; for the better the work of art, the more rewarding it will be to study it from opposing points of view. Thus, one could write an interesting essay on Ulysses <\/em>as an experimental novel, and an equally interesting one on Ulysses <\/em>as a traditional novel. But Ulysses<\/em> is not “essentially” either; it is not “essentially” anything but a novel. (CW 29, 21)<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

It’s Bloomsday. Radio Bloomsday will be reading the text all day. You can listen to it here. From Frye’s review of New Directions in Prose and Poetry in Canadian Forum (December 1942): Pendulum theories of art don’t work. Poems and pictures are real things; “tradition” and “experiment” are abstract nouns. To judge a concrete thing […]<\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[5,30],"tags":[],"class_list":["post-23954","post","type-post","status-publish","format-standard","hentry","category-anniversaries","category-criticism"],"yoast_head":"\nBloomsday - The Educated Imagination<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/macblog.mcmaster.ca\/fryeblog\/2011\/06\/16\/bloomsday-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bloomsday - The Educated Imagination\" \/>\n<meta property=\"og:description\" content=\"It’s Bloomsday. Radio Bloomsday will be reading the text all day. You can listen to it here. From Frye’s review of New Directions in Prose and Poetry in Canadian Forum (December 1942): Pendulum theories of art don’t work. Poems and pictures are real things; “tradition” and “experiment” are abstract nouns. 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