{"id":26040,"date":"2011-09-25T19:17:00","date_gmt":"2011-09-25T23:17:00","guid":{"rendered":"http:\/\/fryeblog.blog.lib.mcmaster.ca\/?p=26040"},"modified":"2011-09-25T19:17:00","modified_gmt":"2011-09-25T23:17:00","slug":"nirvana-and-third-wave-feminism","status":"publish","type":"post","link":"https:\/\/macblog.mcmaster.ca\/fryeblog\/2011\/09\/25\/nirvana-and-third-wave-feminism\/","title":{"rendered":"Nirvana and Third Wave Feminism"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-26041\" src=\"http:\/\/macblog.mcmaster.ca\/fryeblog\/wp-content\/uploads\/sites\/4\/2011\/09\/nirvana-3.jpg\" alt=\"\" width=\"411\" height=\"284\" srcset=\"https:\/\/macblog.mcmaster.ca\/fryeblog\/wp-content\/uploads\/sites\/4\/2011\/09\/nirvana-3.jpg 628w, https:\/\/macblog.mcmaster.ca\/fryeblog\/wp-content\/uploads\/sites\/4\/2011\/09\/nirvana-3-300x207.jpg 300w\" sizes=\"auto, (max-width: 411px) 100vw, 411px\" \/><\/p>\n<p><em>Two of the anarchist cheerleaders from &#8220;Smells Like Teen Spirit&#8221; between takes<\/em><\/p>\n<p>Amanda Marcotte, on the twentieth anniversary of the release of <em>Nevermind<\/em>, considers Nirvana&#8217;s feminist legacy.<\/p>\n<blockquote><p>Nirvana\u2019s opening salvo in its assault on mainstream rock, \u201cSmells Like Teen Spirit,\u201d did more than just wash away any musical relevance of bands like Poison and Winger, but it also laid waste to the sexism that fueled so much hair metal and other dude-centric hard rock. The first human faces you see in the video for \u201cSmells Like Teen Spirit\u201d belong not to the band members, but to a group of heavily tattooed women dressed like anarchist cheerleaders, a swift but brutal rebuttal to all the images of acceptable femininity that your average suburban teenager lived with at the time. Forget the hair metal groupies or the bubbly beauty queen cheerleaders. For girls watching this video, it was a revelation: You could instead choose to be a badass.<\/p>\n<p>The cheerleaders were just a taste of what Kurt Cobain had up his sleeve when it came to subverting traditional gender roles. It wasn\u2019t just the kick-ass women in this one video. Nirvana baked feminist ideas right into their lyrics and image. Nirvana had songs like \u201cPolly,&#8221; \u201cPennyroyal Tea,\u201d and \u201cBreed,\u201d which dealt directly with gender issues from a pro-feminist perspective, and songs like \u201cAbout a Girl\u201d and \u201cAll Apologies,\u201d which employed a layered, nuanced understanding of love and gender. Alison, 31, who reached out through Twitter, marveled at the gap between Nirvana and the bands like Warrant that came before it, saying, \u201cSo much of the music made by men at the time that was popular was all about how women were basically just holes to fuck,\u201d adding that Cobain, \u201cfelt like a guy who viewed women as people.\u201d<\/p>\n<p style=\"text-align: center\">*<\/p>\n<p style=\"text-align: left\">Nirvana\u2019s feminism stemmed directly from the Northwest rock scene that birthed the band. Even though they were associated with Seattle, NPR\u2019s music critic Ann Powers noted, \u201cThey came out of Olympia, a much different scene, more female-dominated.\u201d <a href=\"http:\/\/en.wikipedia.org\/wiki\/Riot_grrl\" target=\"_blank\">Riot grrrl<\/a>\u2014a subgenre of punk rock that focused on empowering girls to speak out on feminist topics such as reproductive rights and sexual violence\u2014sprang from the same circles as Nirvana, and Cobain made friends with famous riot grrrls Tobi Vail and Kathleen Hanna, who\u00a0<a href=\"http:\/\/www.youtube.com\/watch?v=xWO4JnP2T40\" target=\"_blank\">inadvertently gave Cobain the title idea for &#8220;Smells Like Teen Spirit.\u201d<\/a>\u00a0\u201cFrom the very beginning, he was aware of the gender issue,\u201d Powers said, arguing that the riot grrrls \u201cwere important to him.\u201d Fans of both Nirvana and riot grrrl agree. Kate described Nirvana as \u201ca riot grrrl band, basically.\u201d Tara, who was living in Alabama when she discovered Nirvana, particularly admired the riot grrrl connection, saying, \u201cThe thing I really loved about that was it didn\u2019t seem like a stunt. They ran with the riot grrrl crowd out of genuine admiration for them and what they stood for.\u201d<\/p>\n<p style=\"text-align: center\">*<\/p>\n<p style=\"text-align: left\">For fans, Nirvana often proved a gateway drug to discovering music that had female musicians to go right along with the feminist sentiments. Tara cited Nirvana as the reason she fell hard for alternative rock, bringing her to Tori Amos, Liz Phair, Hole, and Babes in Toyland. Mickey, a Seattle native, was already a fan of many female-led punk bands, but felt Nirvana broadened her horizons. \u201cI probably became aware of bands like L7, Sleater-Kinney, and of course, Hole, through my love of Nirvana.\u201d Alison, who described herself as growing up in a \u201cbasic, bland suburb,\u201d also discovered L7, Hole, and Bikini Kill through Nirvana, but felt that loving Nirvana primed you to listen to feminist musicians outside of their direct sphere of influence. She suggested that the pride Nirvana gave to outcasts and weirdos \u201ceventually led to a more specific validation that being a woman was fine, too,\u201d adding that this shot of feminist pride \u201cmade me more inclined to seek out strong women in areas like music, literature, etc.\u201d<\/p>\n<\/blockquote>\n<p style=\"text-align: left\">Full article <a href=\"http:\/\/www.thedailybeast.com\/articles\/2011\/09\/23\/nirvana-s-nevermind-20th-anniversary-kurt-cobain-s-feminist-legacy.html\" target=\"_blank\">here<\/a>.<\/p>\n<p style=\"text-align: left\">(Photo: Shelli Hyrkas and Experience Music Project)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Two of the anarchist cheerleaders from &#8220;Smells Like Teen Spirit&#8221; between takes Amanda Marcotte, on the twentieth anniversary of the release of Nevermind, considers Nirvana&#8217;s feminist legacy. Nirvana\u2019s opening salvo in its assault on mainstream rock, \u201cSmells Like Teen Spirit,\u201d did more than just wash away any musical relevance of bands like Poison and Winger, [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[5,129],"tags":[],"class_list":["post-26040","post","type-post","status-publish","format-standard","hentry","category-anniversaries","category-quote-of-the-day"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nirvana and Third Wave Feminism - The Educated Imagination<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/macblog.mcmaster.ca\/fryeblog\/2011\/09\/25\/nirvana-and-third-wave-feminism\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nirvana and Third Wave Feminism - The Educated Imagination\" \/>\n<meta property=\"og:description\" content=\"Two of the anarchist cheerleaders from &#8220;Smells Like Teen Spirit&#8221; between takes Amanda Marcotte, on the twentieth anniversary of the release of Nevermind, considers Nirvana&#8217;s feminist legacy. 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