{"id":30606,"date":"2012-09-27T18:05:28","date_gmt":"2012-09-27T22:05:28","guid":{"rendered":"http:\/\/fryeblog.blog.lib.mcmaster.ca\/?p=30606"},"modified":"2012-09-27T18:05:28","modified_gmt":"2012-09-27T22:05:28","slug":"ready-reference-a-list-of-the-contents-of-the-collected-works","status":"publish","type":"post","link":"https:\/\/macblog.mcmaster.ca\/fryeblog\/2012\/09\/27\/ready-reference-a-list-of-the-contents-of-the-collected-works\/","title":{"rendered":"Ready Reference: A List of the Contents of the Collected Works"},"content":{"rendered":"

\"\"<\/a><\/p>\n

A List of the Volumes of the Collected Works of Northrop Frye with the Contents of Each, along with a Notation of the Books by Frye in which the Separate Items Originally Appeared and an Alphabetical Title Index<\/strong><\/p>\n

\u00a0Even those who are quite familiar with Frye\u2019s work cannot always remember the general subject of a given volume in the Collected Works.\u00a0 The present list, the need for which was suggested to me by Michael Dolzani, provides a ready reference to the contents of each volume, like the list of books and their contents that one finds at the back of each volume of The Collected Works of C.G. Jung.\u00a0 Twenty\u2011nine of the thirty volumes of Frye\u2019s Collected Works are not available in paperback, which means that those who would like to have the complete published writings would have to lay out a large sum of money\u2013\u2013more than $3300 if ordered from the University of Toronto Press.\u00a0 Readers of Frye, however, may have some or perhaps all of Frye\u2019s separately published books, so the present list, along with the index, can assist them in finding the CW volume that contains the item they are looking for, as well as the book in which the item originally appeared.\u00a0 The present list consists of two parts.\u00a0 The first part gives the contents of each volume in the Collected Works, and for those items that were published in one of Frye\u2019s books, the book title is given after the title of the article.\u00a0 For example, \u201cCrime and Sin in the Bible\u201d \u25cf Myth and Metaphor<\/em>, 255\u201369.\u00a0 The second part is an index of all of Frye\u2019s titles, followed by the CW volume in which they can be found.\u00a0 For example, \u201cLanguage as the Home of Human Life\u201d \u25cf CW 7: 577\u201390.\u00a0 This second list is similar to what can be found in Jean O\u2019Grady\u2019s stellar index for the Collected Works (CW 30), though I have not separated lectures and speeches (O\u2019Grady\u2019s section II.1) from published or completed works (her section II.5).<\/p>\n

Many of Frye\u2019s articles, reviews, and occasional pieces were never included in an edited collection.\u00a0 They, of course, will not be followed by the title of a book in part 1.\u00a0 I have not listed the titles of the one hundred eleven interviews in CW 24, Interviews with Northrop Frye<\/em>.\u00a0 The list, along with the index, if copied and printed, can serve as a handy guide to the CW, or it may be copied and stored as a searchable electronic file.\u00a0 \u2013\u2013Robert Denham<\/p>\n

\u00a0Volumes 1 and 2<\/strong><\/p>\n

The Correspondence of Northrop Frye and Helen Kemp, 1932\u20131939<\/em>.\u00a0 Ed. Robert D. Denham.\u00a0 2 vols.\u00a0 Toronto: University of Toronto Press, 1996.\u00a0 xxxii + ix + 979 pp.<\/p>\n

\u00a0Volume 3<\/strong><\/p>\n

Northrop Frye\u2019s Student Essays, 1932\u20131938<\/em>.\u00a0 <\/em>Ed. Robert D. Denham.\u00a0 Toronto: University of Toronto Press, 1997.\u00a0 xxix + 557 pp.<\/p>\n

Contents:<\/p>\n

\u201cThe Basis of Primitivism\u201d<\/p>\n

\u201cRomanticism\u201d<\/p>\n

\u201cRobert Browning: An Abstract Study\u201d<\/p>\n

\u201cThe Concept of Sacrifice\u201d<\/p>\n

\u201cThe Fertility Cults\u201d<\/p>\n

\u201cThe Jewish Background of the New Testament: An Essay in Historical Apocalyptic\u201d<\/p>\n

\u201cThe Age and Type of Christianity in the Epistle of James\u201d<\/p>\n

\u201cDoctrine of Salvation in John, Paul, and James\u201d<\/p>\n

\u201cSt. Paul and Orphism\u201d<\/p>\n

\u201c The Augustinian Interpretation of History\u201d<\/p>\n

\u201cThe Life and Thought of Ramon Lull\u201d<\/p>\n

\u201cRobert Cowton to Thomas Rondel, Lector at Balliol College, Oxford\u201d<\/p>\n

\u201cRelative Importance of the Causes of the Reformation\u201d<\/p>\n

\u201cGains and Losses of the Reformation\u201d<\/p>\n

\u201cA Study of the Impact of Cultural Movements upon the Church in England during the Nineteenth Century\u201d<\/p>\n

\u201cThe Relation of Religion to the Arts\u201d<\/p>\n

\u201cThe Relation of Religion to the Arts Forms of Music and Drama\u201d<\/p>\n

\u201cAn Inquiry into the Art Forms of Prose Fiction\u201d<\/p>\n

\u201cThe Importance of Calvin for Philosophy\u201d<\/p>\n

\u201cT.S. Eliot and Other Observations\u201d<\/p>\n

\u201cA Reconsideration of Chaucer\u201d<\/p>\n

Volume 4<\/strong><\/p>\n

Northrop Frye on Religion<\/em>.\u00a0 Ed. Alvin A. Lee and Jean O\u2019Grady.\u00a0 Toronto: University of Toronto Press, 2000.\u00a0 xxxvii + 432 pp.<\/p>\n

Contents:<\/p>\n

\u201cPistis and Mythos\u201d<\/p>\n

\u201cHistory and Myth in the Bible\u201d<\/p>\n

\u201cThe Meaning of Recreation: Humanism in Society\u201d<\/p>\n

Creation and Recreation<\/em><\/p>\n

\u201cThe Double Mirror\u201d \u25cf Myth and Metaphor<\/em>, 229\u201337<\/p>\n

\u201cRepetitions of Jacob\u2019s Dream\u201d \u25cf\u00a0 The Eternal Act of Creation<\/em>, 37\u201349<\/p>\n

\u201cThe Bride from the Strange Land\u201d \u25cf The Eternal Act of Creation<\/em>, 50\u201361<\/p>\n

\u201cThe Mythical Approach to Creation\u201d \u25cf Myth and Metaphor<\/em>, 238\u201354<\/p>\n

\u201cCrime and Sin in the Bible\u201d \u25cf Myth and Metaphor<\/em>, 255\u201369<\/p>\n

\u201cThe Bible and English Literature\u201d<\/p>\n

\u201cOn the Bible\u201d<\/p>\n

The Double Vision: Language and Meaning in Religion<\/em><\/p>\n

\u201cThe Freshman and His Religion\u201d<\/p>\n

\u201cMerry Christmas (I)\u201d \u25cf Reading the World<\/em>, 195<\/p>\n

\u201cSo Many Lost Weekends\u201d \u25cf Reading the World<\/em>, 269<\/p>\n

\u201cMerry Christmas?\u201d \u25cf Reading the World<\/em>, 380\u20131<\/p>\n

\u201cMerry Christmas (II)\u201d \u25cf Reading the World<\/em>, 386\u20137<\/p>\n

\u201cMerry Christmas (III)\u201d \u25cf Reading the World<\/em>, 398\u20139<\/p>\n

\u201cThe Church: Its Relation to Society\u201d \u25cf Reading the World<\/em>, 203\u201319<\/p>\n

\u201cMan and the Sabbath\u201d<\/p>\n

\u201cThe Analogy of Democracy\u201d \u25cf Reading the World<\/em>, 219\u201328<\/p>\n

\u201cAt a Memorial Service for Deceased Students\u201d<\/p>\n

\u201cBaccalaureate Sermon\u201d \u25cf Reading the World<\/em>, 240\u201350<\/p>\n

\u201cSymbols\u201d<\/p>\n

\u201cFuneral Service for Virginia Knight\u201d<\/p>\n

\u201cSermon in the Merton College Chapel\u201d \u25cf Reading the World, <\/em>254\u20136<\/p>\n

\u201cStanley Llewellyn Osborne\u201d<\/p>\n

\u201cA Leap in the Dark\u201d \u25cf Reading the World<\/em>, 256\u201363<\/p>\n

\u201cWisdom and Knowledge\u201d \u25cf Reading the World<\/em>, 263\u20138<\/p>\n

\u201cOn Christmas\u201d<\/p>\n

\u201cWedding of Patricia Russell and Andrew Binnie\u201d<\/p>\n

\u201cSubstance and Evidence\u201d \u25cf Reading the World<\/em>, 268\u201375<\/p>\n

\u201cMemorial Service for Mrs. Jean Haddow\u201d<\/p>\n

\u201cA Breath of Fresh Air\u201d<\/p>\n

\u201cBaccalaureate Service (I)\u201d<\/p>\n

\u201cFuneral Service for Jean Gunn\u201d<\/p>\n

\u201cBaccalaureate Service (II)\u201d<\/p>\n

\u201cThe Dialectic of Belief and Vision\u201d \u25cf Myth and Metaphor<\/em>, 93\u2013107<\/p>\n

\u201cTo Come to Light\u201d \u25cf No Uncertain Sounds<\/em><\/p>\n

\u201cOn Lent\u201d<\/p>\n

\u201cBaccalaureate Service (III)\u201d<\/p>\n

\u201cBaccalaureate Service (IV)\u201d<\/p>\n

\u201cUndated Prayers\u201d<\/p>\n

Volumes 5 and 6<\/strong><\/p>\n

Northrop Frye\u2019s Late Notebooks, 1982\u20131990: Architecture of the Spiritual World<\/em>.\u00a0 Ed. Robert D. Denham.\u00a0 Toronto: University of Toronto Press, 2000.\u00a0 xlix + 949.<\/p>\n

Contents:<\/p>\n

Notebooks 27, 44, 50, Notes 52, 53, 54.1, 54.2, Notebooks 46, 47, 48, 11h, and Notes 55.1<\/p>\n

\u00a0Volume 7<\/strong><\/p>\n

Northrop Frye\u2019s Writings on Education<\/em>.\u00a0 Ed. Goldwin French and Jean O\u2019Grady.\u00a0 Toronto: University of Toronto Press, 2000.\u00a0 liii + 684 pp.<\/p>\n

Contents:<\/p>\n

The Bob\u201d<\/p>\n

\u201cVictoria College Debating Parliament\u201d<\/p>\n

\u201cThat Trinity Debate\u201d<\/p>\n

\u201cThe Case against Examinations\u201d<\/p>\n

\u201cArthur Richard Cragg\u201d<\/p>\n

\u201cOn the Frosh: An Editorial\u201d<\/p>\n

\u201cEditorial in Undress (I)\u201d<\/p>\n

\u201cJames Delmar Martin\u201d<\/p>\n

\u201cThe Question of Maturity: An Editorial\u201d<\/p>\n

\u201cEditorial in Undress (II)\u201d<\/p>\n

\u201cEditorial in Undress (III)\u201d<\/p>\n

\u201cThe Pass Course: A Polemic\u201d<\/p>\n

\u201cA Liberal Education\u201d \u25cf Reading the World<\/em>, 40\u20139<\/p>\n

\u201cEducation and the Humanities\u201d \u25cf Reading the World<\/em>, 74\u20137<\/p>\n

\u201cBack to Work\u201d<\/p>\n

\u201cFor Whom the Dunce Cap Fits\u201d<\/p>\n

\u201cHave We a National Education?\u201d<\/p>\n

\u201cThe Study of English in Canada\u201d \u25cf On Education<\/em>, 22\u20138<\/p>\n

\u201cAddress to the Graduating Class of Victoria College\u201d \u25cf Reading the World<\/em>, 77\u201380<\/p>\n

\u201cHumanities in a New World\u201d \u25cf Divisions on a Ground<\/em>, 102\u201317<\/p>\n

\u201cGreetings from the Principal\u201d<\/p>\n

\u201cBy Liberal Things\u201d \u25cf No Uncertain Sounds<\/em>, 31\u20137<\/p>\n

\u201cSenior Dinner Address\u201d<\/p>\n

\u201cThe Critical Discipline\u201d \u25cf On Education<\/em>, 29\u201337<\/p>\n

\u201cDialogue Begins\u201d<\/p>\n

\u201cPush-Button Gadgets May Help\u2014But the Teacher Seems Here to Stay\u201d<\/p>\n

\u201cAutopsy of an Old Grad\u2019s Grievance\u201d<\/p>\n

\u201cIntroduction to Design for Learning<\/em>\u201d \u25cf On Education<\/em>, 46\u201361<\/p>\n

\u201cThe Developing Imagination\u201d \u25cf Reading the World<\/em>, 80\u201398<\/p>\n

\u201cTo the Class of \u201962 at Queen\u2019s\u201d<\/p>\n

\u201cThe Changing Pace in Canadian Education\u201d \u25cf On Education<\/em>, 62\u201373<\/p>\n

\u201cThe Dean of Women\u201d<\/p>\n

\u201cConvocation Address, University of British Columbia\u201d \u25cf Reading the World<\/em>, 98\u2013105<\/p>\n

\u201cThe Principal\u2019s Message\u201d<\/p>\n

\u201cWe Are Trying to Teach a Vision of Society\u201d<\/p>\n

\u201cElementary Teaching and Elemental Scholarship\u201d \u25cf The Stubborn Structure<\/em>, 90\u2013105<\/p>\n

\u201cForeword to The Living Name<\/em>\u201d<\/p>\n

\u201cEducation\u2014Protection against Futility\u201d<\/p>\n

\u201cThe Classics and the Man of Letters\u201d<\/p>\n

\u201cCharles Bruce Sissons, 1879\u20131965\u201d<\/p>\n

\u201cNew Programmes\u201d<\/p>\n

\u201cReport on the \u2018Adventure\u2019 Series\u201d<\/p>\n

\u201cSpeculation and Concern\u201d \u25cf The Stubborn Structure<\/em>, 38\u201355<\/p>\n

\u201cThe Time of the Flood\u201d<\/p>\n

\u201cThe Instruments of Mental Production\u201d \u25cf The Stubborn Structure<\/em>, 3\u201321<\/p>\n

\u201cSpeech at a Freshman Welcome\u201d<\/p>\n

\u201cThe Knowledge of Good and Evil\u201d \u25cf The Stubborn Structure<\/em>, 22\u201337<\/p>\n

\u201cA New Principal for Victoria\u201d<\/p>\n

\u201cThe Question of \u2018Success\u2019\u201d<\/p>\n

\u201cA Meeting of Minds\u201d<\/p>\n

\u201cHigher Education and the Personal Life\u201d<\/p>\n

\u201cThe University and the Heroic Vision\u201d \u25cf Reading the World<\/em>, 105\u201311<\/p>\n

\u201cConvocation Address, Franklin and Marshall\u201d \u25cf Reading the World<\/em>, 317\u201323<\/p>\n

\u201cBook Learning and the Barricades\u201d<\/p>\n

\u201cThe Social Importance of Literature\u201d \u25cf On Education<\/em>, 74\u201382<\/p>\n

\u201cResearch and Graduate Education in the Humanities\u201d \u25cf On Education<\/em>, 101\u20138<\/p>\n

\u201cThe Ethics of Change: The Role of the University\u201d \u25cf Divisions on a Ground<\/em>, 156\u201366<\/p>\n

\u201cThe University and Personal Life: Student Anarchism and the Educational Contract\u201d \u25cf Spiritus Mundi<\/em>, 27\u201348<\/p>\n

\u201cAn Ideal University Community\u201d<\/p>\n

\u201cIn Memoriam: Miss Jessie Macpherson\u201d<\/p>\n

\u201cThe Day of Intellectual Battle: Reflections on Student Unrest\u201d \u25cf On Education<\/em>, 83\u20137<\/p>\n

\u201cConvocation Address, York University\u201d \u25cf Reading the World<\/em>, 389\u201393<\/p>\n

\u201cCongratulatory Statement to Dartmouth\u201d<\/p>\n

\u201cHart House Rededicated\u201d<\/p>\n

\u201cOn Horace\u201d<\/p>\n

\u201cA Revolution Betrayed: Freedom and Necessity in Education\u201d \u25cf On Education<\/em>, 88\u201392<\/p>\n

\u201cThe Definition of a University\u201d \u25cf\u00a0 Divisions on a Ground<\/em>, 139\u201355<\/p>\n

\u201cEducation and the Rejection of Reality\u201d \u25cf On Education<\/em>, 93\u2013100<\/p>\n

\u201cOn Teaching Literature\u201d \u25cf On Education<\/em>, 109\u201337<\/p>\n

\u201cWright Report (I) and (II)\u201d<\/p>\n

\u201cUniversities and the Deluge of Cant\u201d \u25cf Reading the World<\/em>, 117\u201321<\/p>\n

\u201cThe Critic and the Writer\u201d<\/p>\n

\u201cForeword to The Child as Critic<\/em>\u201d<\/p>\n

\u201cAddress at the Installation of Gordon Keyes as Principal of Victoria College\u201d<\/p>\n

\u201cPresidential Address at the MLA\u201d \u25cf Divisions on a Ground<\/em>, 91\u2013101<\/p>\n

\u201cReminiscences\u201d<\/p>\n

\u201cThe Teacher\u2019s Source of Authority\u201d<\/p>\n

\u201cAddress on Receiving the Royal Bank Award\u201d \u25cf Divisions on a Ground<\/em>, 181\u201390<\/p>\n

\u201cInstallation Address as Chancellor\u201d<\/p>\n

\u201cThe Chancellor\u2019s Message\u201d<\/p>\n

\u201cCriticism as Education\u201d \u25cf On Education<\/em>, 525\u201338<\/p>\n

\u201cThe Beginning of the Word\u201d \u25cf On Education<\/em>, 9\u201321<\/p>\n

\u201cInstallation of Alvin A. Lee\u201d<\/p>\n

\u201cThe View from Here\u201d \u25cf Myth and Metaphor<\/em>, 63\u201378<\/p>\n

\u201cThe Authority of Learning\u201d \u25cf On Education<\/em>, 183\u201391<\/p>\n

\u201cLanguage as the Home of Human Life\u201d \u25cf On Education<\/em>, 192\u2013205<\/p>\n

\u201cOn Living inside Real Life\u201d<\/p>\n

\u201cFarewell to Goldwin French\u201d<\/p>\n

\u201cForeword to English Studies at Toronto<\/em>\u201d<\/p>\n

\u201cPreface to On Education<\/em>\u201d<\/p>\n

\u201cPreface to From Cobourg to Toronto<\/em>\u201d<\/p>\n

\u201cUnpublished Introduction to Beyond Communication<\/em>\u201d<\/p>\n

\u201cWoman Heads University\u201d<\/p>\n

\u00a0Volume 8<\/strong><\/p>\n

The Diaries of Northrop Frye, 1942\u20131955<\/em>.\u00a0 Ed. Robert D. Denham. Toronto: University of Toronto Press, 2001.\u00a0 liii + 821 pp.<\/p>\n

Contents:<\/p>\n

Diaries from 1942, 1949, 1950, 1951, 1952, 1953, and 1955, along with Appendix 1, \u201cDirectory of the People Mentioned in the Diaries,\u201d and Appendix 2, \u201cRadio Talks and Published Writings of Helen Kemp Frye.\u201d<\/p>\n

Volume 9<\/strong><\/p>\n

The \u201cThird Book\u201d Notebooks of Northrop Frye, 1964\u20131972: The Critical Comedy<\/em>.\u00a0 Ed. Michael Dolzani. Toronto: University of Toronto Press, 2002.\u00a0 lxiv + 480 pp.<\/p>\n

Contents:<\/p>\n

Notebooks 19, 6, 12, 24, and a set of typed notes entitled \u201cWork in Progress.\u201d<\/p>\n

Volume 10<\/strong><\/p>\n

Northrop Frye on Literature and Society, 1936\u20131989<\/em>.\u00a0 Ed. Robert D. Denham.\u00a0 Toronto: University of Toronto Press, 2002.\u00a0 xxviii + 420 pp.<\/p>\n

Contents:<\/p>\n

\u201cRencontre<\/em>: The General Editor\u2019s Introduction\u201d<\/p>\n

\u201cChaucer\u2019s Canterbury Tales<\/em>\u201d<\/p>\n

\u201cGeorge Orwell\u201d<\/p>\n

\u201cShakespeare\u2019s Comedy of Humors\u201d<\/p>\n

\u201cThe Writer as Prophet: Milton, Swift, Blake, Shaw\u201d<\/p>\n

\u201cThe Literary Meaning of \u2018Archetype\u2019\u201d<\/p>\n

\u201cLiterature and Language\u201d<\/p>\n

\u201cBlake\u2019s Jerusalem<\/em>\u201d<\/p>\n

\u201cThe Present Condition of the World\u201d<\/p>\n

\u201cLeisure and Boredom\u201d<\/p>\n

\u201cCriticism and Society\u201d<\/p>\n

\u201cArticulate English\u201d<\/p>\n

\u201cTradition and Change in the Theory of Criticism\u201d<\/p>\n

\u201cThe Social Uses of Literature\u201d<\/p>\n

\u201cCanadian Identity and Cultural Regionalism\u201d<\/p>\n

\u201cIcons and Iconoclasm\u201d<\/p>\n

\u201cReviews of Television Programs for the Canadian Radio-Television Commission\u201d<\/p>\n

\u201cIntroduction to Harold Innis\u2019s \u2018A History of Communications\u2019\u201d \u25cf The Eternal Act of Creation<\/em>, 154\u201367<\/p>\n

\u201cWilliam Butler Yeats\u201d<\/p>\n

Reviews of Lewis Hyde, Southern Cross<\/em>, and The Oxford Book of Nursery Rhymes<\/em><\/p>\n

Reviews of Alesandro Manzoni, The Betrothed<\/em>, and P\u00e4r Lagerkvist, Barabbas<\/em><\/p>\n

Reviews of Reinhold Niebuhr, The Irony of American History <\/em>and Herbert Butterfield, History and Human Relations<\/em><\/p>\n

\u201cJosef Pieper, Leisure: the Basis of Culture<\/em>\u201d<\/p>\n

\u201cConvocation Address, Acadia University\u201d<\/p>\n

\u201cConvocation Address, McGill University\u201d<\/p>\n

\u201cConvocation Address, University of Bologna\u201d<\/p>\n

\u201cThe Social Context of Literary Criticism\u201d<\/p>\n

\u00a0Volume 11<\/strong><\/p>\n

Northrop Frye on Modern Culture<\/em>.\u00a0 Ed. Jan Gorak. Toronto: University of Toronto Press, 2003.\u00a0 xlix + 409 pp.<\/p>\n

Contents:<\/p>\n

The Modern Century<\/em><\/p>\n

\u201cCurrent Opera: A Housecleaning\u201d \u25cf Reading the World<\/em>,\u00a0 1\u20134<\/p>\n

\u201cBallet Russe\u201d \u25cf Reading the World<\/em>, 4\u20137<\/p>\n

\u201cThe Jooss Ballet\u201d \u25cf Reading the World<\/em>, 7\u201310<\/p>\n

\u201cFrederick Delius\u201d \u25cf Reading the World<\/em>, 10\u201314<\/p>\n

\u201cThree-Cornered Revival at Headington\u201d<\/p>\n

\u201cMusic and the Savage Breast\u201d \u25cf Reading the World<\/em>, 14\u201318<\/p>\n

\u201cMen as Trees Walking\u201d \u25cf Reading the World<\/em>, 35\u20139<\/p>\n

\u201cK.R. Srinivasa\u2019s Lytton Strachey<\/em>\u201d<\/p>\n

\u201cThe Great Charlie\u201d \u25cf Reading the World<\/em>, 18\u201324<\/p>\n

\u201cReflections at a Movie\u201d \u25cf Reading the World<\/em>, 287\u201391<\/p>\n

\u201cMusic in the Movies\u201d \u25cf Reading the World<\/em>, 24\u20138<\/p>\n

\u201cMax Graf\u2019s Modern Music<\/em>\u201d<\/p>\n

\u201cAbner Dean\u2019s It\u2019s a Long Way to Heaven<\/em>\u201d<\/p>\n

\u201cRussian Art\u201d<\/p>\n

\u201cHerbert Read\u2019s The Innocent Eye<\/em>\u201d<\/p>\n

\u201cThe Eternal Tramp\u201d \u25cf Reading the World<\/em>, 28\u201334<\/p>\n

\u201cOn Book Reviewing\u201d<\/p>\n

\u201cAcademy without Walls\u201d \u25cf Reading the World<\/em>, 46\u201354; On Education<\/em>, 38\u201345<\/p>\n

\u201cCommunications\u201d<\/p>\n

\u201cThe Renaissance of Books\u201d \u25cf Spiritus Mundi<\/em>, 49\u201365<\/p>\n

\u201cViolence and Television\u201d \u25cf Reading the World<\/em>, 363\u201373<\/p>\n

\u201cIntroduction to Art and Reality<\/em>\u201d<\/p>\n

\u201cPro Patria Mori<\/em>\u201d<\/p>\n

\u201cWyndham Lewis: Anti-Spenglerian\u201d \u25cf Reading the World<\/em>, 277\u201382<\/p>\n

\u201cWar on the Cultural Front\u201d \u25cf Reading the World<\/em>, 282\u20136<\/p>\n

\u201cTwo Italian Sketches, 1939\u201d<\/p>\n

\u201cG.M. Young\u2019s Basic<\/em>\u201d<\/p>\n

\u201cRevenge or Justice?\u201d \u25cf Reading the World<\/em>, 377\u20138<\/p>\n

\u201cF.S.C. Northrop\u2019s The Meeting of East and West<\/em>\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 107\u201310<\/p>\n

\u201cWallace Notestein\u2019s The Scot in History<\/em>\u201d<\/p>\n

\u201cToynbee and Spengler\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 76\u201383<\/p>\n

\u201cGandhi\u201d \u25cf Reading the World<\/em>, 382\u20133<\/p>\n

\u201cErnst J\u00fcnger\u2019s On the Marble Cliffs<\/em>\u201d \u25cf Reading the World<\/em>, 291\u20134<\/p>\n

\u201cDr. Kinsey and the Dream Censor\u201d \u25cf Reading the World<\/em>, 295\u2013300<\/p>\n

\u201cCardinal Mindszenty\u201d \u25cf Reading the World<\/em>, 387\u20138<\/p>\n

\u201cThe Two Camps\u201d \u25cf Reading the World<\/em>, 391\u20132<\/p>\n

\u201cLaw and Disorder\u201d \u25cf Reading the World<\/em>, 392\u20133<\/p>\n

\u201cTwo Books on Christianity and History\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 141\u20136<\/p>\n

\u201cNothing to Fear but Fear\u201d \u25cf Reading the World<\/em>, 395\u20138<\/p>\n

\u201cThe Ideal of Democracy\u201d<\/p>\n

\u201cThe Church and Modern Culture\u201d<\/p>\n

\u201cAnd There is No Peace\u201d<\/p>\n

\u201cCaution or Dither?\u201d<\/p>\n

\u201cTrends in Modern Culture\u201d \u25cf Reading the World<\/em>, 300\u201315<\/p>\n

\u201cRegina versus the World\u201d \u25cf Reading the World<\/em>, 403\u20136<\/p>\n

\u201cOswald Spengler\u201d \u25cf Reading the World<\/em>, 315\u201325<\/p>\n

\u201cPreserving Human Values\u201d \u25cf Reading the World<\/em>, 325\u201333<\/p>\n

\u201cThe War in Vietnam\u201d<\/p>\n

\u201cThe Two Contexts\u201d<\/p>\n

\u201cThe Quality of Life in the \u201970s\u201d \u25cf Reading the World<\/em>, 349\u201362<\/p>\n

\u201cSpengler Revisited\u201d \u25cf Spiritus Mundi<\/em>, 179\u201388<\/p>\n

\u201cThe Bridge of Language\u201d \u25cf On Education<\/em>, 153\u201367<\/p>\n

\u00a0Volume 12<\/strong><\/p>\n

Northrop Frye on Canada<\/em>.\u00a0 Ed. Jean O\u2019Grady and David Staines. Toronto: University of Toronto Press, 2003.\u00a0 xlviii + 741 pp.<\/p>\n

Contents:<\/p>\n

\u201cLord Dufferin\u201d<\/p>\n

\u201cCharacters in Cadence<\/em>\u201d<\/p>\n

\u201cCanadian Art in London\u201d<\/p>\n

\u201cCanadian Water-Colours\u201d<\/p>\n

\u201cGordon Webber and Canadian Abstract Art\u201d<\/p>\n

\u201cCanadian and Colonial Painting\u201d \u25cf The Bush Garden<\/em>, 199\u2013202<\/p>\n

\u201cContemporary Verse<\/em>\u201d<\/p>\n

\u201cCanadian Chapbooks\u201d<\/p>\n

\u201cCanadian Writing: First Statement<\/em>\u201d<\/p>\n

\u201cCanadian Poets: Earle Birney\u201d<\/p>\n

\u201cCanada and Its Poetry\u201d \u25cf The Bush Garden<\/em>, 129\u201343<\/p>\n

\u201cA Little Anthology<\/em>\u201d<\/p>\n

\u201cDirection<\/em>\u201d<\/p>\n

\u201cWater\u2011Colour Annual\u201d \u25cf Reading the World<\/em>, 41\u20133<\/p>\n

\u201cUnit of Five<\/em>\u201d<\/p>\n

\u201cUndemocratic Censorship\u201d \u25cf Reading the World<\/em>, 375\u20136<\/p>\n

\u201cCanadian Authors Meet\u201d \u25cf Reading the World<\/em>, 376\u20137<\/p>\n

\u201cGreen World<\/em>\u201d<\/p>\n

\u201cPromising Novelist\u201d<\/p>\n

\u201cThe Narrative Tradition in English Canadian Poetry\u201d \u25cf The Bush Garden<\/em>, 145\u201355<\/p>\n

\u201cCanadian Poet\u201d<\/p>\n

\u201cCanadian Accent<\/em>\u201d<\/p>\n

\u201cThe Flowing Summer<\/em>\u201d<\/p>\n

\u201cOther Canadians<\/em>\u201d<\/p>\n

\u201cDuncan Campbell Scott\u201d \u25cf Reading the World<\/em>, 381\u20132<\/p>\n

\u201cDavid Milne: An Appreciation\u201d \u25cf The Bush Garden<\/em>, 203\u20136<\/p>\n

\u201cCanadian Dreiser\u201d \u25cf Reading the World<\/em>, 383\u20135<\/p>\n

\u201cEditorial Statement\u201d<\/p>\n

\u201cDean of Critics\u201d \u25cf Reading the World<\/em>, 385\u20136<\/p>\n

\u201cThe Book of Canadian Poetry<\/em>, Second Edition\u201d<\/p>\n

\u201cThe Varsity Story<\/em>\u201d<\/p>\n

\u201cThe Pursuit of Form\u201d \u25cf Reading the World<\/em>, 43\u20136<\/p>\n

\u201cCulture and the Cabinet\u201d \u25cf Reading the World<\/em>, 388\u201390<\/p>\n

\u201cLetters in Canada: Poetry\u201d \u25cf The Bush Garden<\/em>, 1\u2013129<\/p>\n

\u201cPelham Edgar\u201d<\/p>\n

\u201cNew Liberties for Old\u201d \u25cf Reading the World<\/em>, 235<\/p>\n

\u201cJohn D. Robins\u201d \u25cf Reading the World<\/em>, 402\u20133<\/p>\n

\u201cTurning New Leaves: Folk Songs of Canada<\/em>\u201d \u25cf The Bush Garden<\/em>, 157\u201362<\/p>\n

\u201cEnglish Canadian Literature, 1929\u20131954\u201d<\/p>\n

\u201cIntroduction to I Brought the Ages Home<\/em>\u201d<\/p>\n

\u201cPreface to an Uncollected Anthology\u201d \u25cf The Bush Garden<\/em>, 163\u201379<\/p>\n

\u201cCulture and the National Will\u201d \u25cf Divisions on a Ground<\/em>, 118\u201324<\/p>\n

\u201cPoetry\u201d<\/p>\n

\u201cPreface and Introduction to Pratt\u2019s Poetry\u201d<\/p>\n

\u201cIntroduction to The Stepsure Letters<\/em>\u201d<\/p>\n

\u201cJohn George Diefenbaker\u201d<\/p>\n

\u201cHaliburton: Mask and Ego\u201d<\/p>\n

\u201cGovernor\u2011General\u2019s Awards (I)\u201d<\/p>\n

\u201cGovernor\u2011General\u2019s Awards (II)\u201d<\/p>\n

\u201cNed Pratt: The Personal Legend\u201d<\/p>\n

\u201cSilence upon the Earth\u201d<\/p>\n

\u201cOpening Ceremonies of the E.J. Pratt Memorial Room\u201d<\/p>\n

\u201cConclusion to the First Edition of Literary History of Canada<\/em>\u201d \u25cf The Bush Garden<\/em>, 213\u201351; The Stubborn Structure<\/em>, 279\u2013312<\/p>\n

\u201cForeword to The Prospect of Change<\/em>\u201d<\/p>\n

\u201cA Poet and a Legend\u201d<\/p>\n

\u201cEdwin John Pratt\u201d<\/p>\n

\u201cSilence in the Sea\u201d \u25cf The Bush Garden<\/em>, 183\u201399<\/p>\n

\u201cLawren Harris\u201d \u25cf The Bush Garden<\/em>, 209\u201314<\/p>\n

\u201cAmerica: True or False?\u201d \u25cf Reading the World<\/em>, 334\u20136<\/p>\n

\u201cDialogue on Translation\u201d<\/p>\n

\u201cRear\u2011View Crystal Ball\u201d \u25cf Reading the World<\/em>, 337\u201340<\/p>\n

\u201cPreface to The Bush Garden<\/em>\u201d<\/p>\n

\u201cCanadian Scene: Observers and Explorers\u201d \u25cf Reading the World<\/em>, 57\u201361<\/p>\n

\u201cLester Bowles Pearson, 1897\u20131972\u201d<\/p>\n

\u201cCold Green Element<\/em>\u201d<\/p>\n

\u201cDouglas Duncan\u201d<\/p>\n

\u201cCanada: New World without Revolution\u201d \u25cf Divisions on a Ground<\/em>, 167\u201380<\/p>\n

\u201cConclusion to the Second Edition of Literary History of Canada<\/em>\u201d \u25cf Divisions on a Ground<\/em>, 71\u201380<\/p>\n

\u201cView of Canada\u201d<\/p>\n

\u201cHaunted by Lack of Ghosts\u201d \u25cf Reflections on the Canadian Literary Imagination<\/em>, 117\u201339<\/p>\n

\u201cNational Consciousness and Canadian Culture\u201d \u25cf Divisions on a Ground<\/em>, 41\u201355; Reflections on the Canadian Literary Imagination<\/em>, 63\u201379<\/p>\n

\u201cCanadian Culture Today\u201d \u25cf Divisions on a Ground<\/em>, 57\u201370<\/p>\n

\u201cCulture as Interpenetration\u201d \u25cf Divisions on a Ground<\/em>, 15\u201325<\/p>\n

\u201cA Summary of the \u2018Options\u2019 Conference\u201d<\/p>\n

\u201cIntroduction to Arthur Lismer<\/em>\u201d<\/p>\n

\u201cRoy Daniells\u201d<\/p>\n

\u201cAcross the River and out of the Trees\u201d \u25cf Divisions on a Ground<\/em>, 26\u201340<\/p>\n

\u201cBeginnings\u201d<\/p>\n

\u201cCriticism and Environment\u201d\u00a0 The Eternal Act of Creation<\/em>, 139\u201353<\/p>\n

\u201cIntroduction to A History of Communication<\/em>\u201d [\u201cHarold Innis: The Strategy of Culture\u201d] \u25cf The Eternal Act of Creation<\/em>, 154\u201367<\/p>\n

\u201cThe Chancellor\u2019s Message\u201d<\/p>\n

\u201cE.J. Pratt\u201d<\/p>\n

\u201cMargaret Eleanor Atwood\u201d<\/p>\n

\u201cCulture and Society in Ontario, 1794\u20131984\u201d \u25cf On Education<\/em>, 168\u201383<\/p>\n

\u201cTribute to Robert Zend\u201d<\/p>\n

\u201cOpening of the Lawren Harris and Arthur Lismer Exhibitions\u201d<\/p>\n

\u201cBarker Fairley\u201d<\/p>\n

\u201cDon Harron\u201d<\/p>\n

\u201cSpeech at the New Canadian Embassy, Washington\u201d \u25cf The Eternal Act of Creation<\/em>, 168\u201382<\/p>\n

\u201cAfterword to Hetty Dorval<\/em>\u201d<\/p>\n

\u201cForeword to Viola Whitney Pratt Papers\u201d<\/p>\n

\u201cItaly in Canada\u201d<\/p>\n

\u201cTribute to Don and Pauline McGibbon\u201d<\/p>\n

\u201cThe Cultural Development of Canada\u201d<\/p>\n

\u201cAppendix: Canadian Criticism\u201d<\/p>\n

\u00a0Volume 13<\/strong><\/p>\n

Northrop Frye\u2019s Notebooks and Lectures on the Bible and Other Religious Texts<\/em>.\u00a0 Ed. Robert D. Denham.\u00a0 Toronto: University of Toronto Press, 2003.\u00a0 lv + 740 pp.<\/p>\n

Contents:<\/p>\n

Notebooks 3, 11f, and 21, Notes 54\u20117, Notebook 11d, Notes 54\u20115, Notebooks 15, 11e, 11a, 11c, and 11b, Notes 54\u20116, Notebooks 23 and 45, \u201cLectures on the Bible: Symbolism in the Bible\u201d<\/p>\n

\u00a0Volume 14<\/strong><\/p>\n

Fearful Symmetry: A Study of William Blake<\/em>.\u00a0 Ed. Nicholas Halmi.\u00a0 Intro. Ian Singer. Toronto: University of Toronto Press, 2004.\u00a0 l + 516 pp.<\/p>\n

\u00a0Volume 15<\/strong><\/p>\n

Northrop Frye\u2019s Notebooks on Romance<\/em>.\u00a0 Ed. Michael Dolzani.\u00a0 Toronto: University of Toronto Press, 2004.\u00a0 lvii + 503 pp.<\/p>\n

Contents:<\/p>\n

Notebooks 42a, 34, 30n, 33, 41, 31, 32, and 14a, Notes 56a, 54\u20114, 54\u20118, 54\u20119, and 54\u201110, Notebook 10, Notes 58\u20111, 58\u20112, 54\u201111, 54\u20113, 55\u20114, 55\u20115, 54\u201112, 54\u201113, 55\u20113, 58\u20113, and 58\u20114, with an appendix (Notes 56a and 56 b: \u201cRomance Synopses\u201d)<\/p>\n

\u00a0Volume 16<\/strong><\/p>\n

Northrop Frye on Milton and Blake.\u00a0 <\/em>Ed. Angela Esterhammer.\u00a0 Toronto: University of Toronto Press, 2005.\u00a0 xxv + 490 pp.<\/p>\n

Contents:<\/p>\n

\u201cIntroduction\u201d to \u201cParadise Lost\u201d & Selected Poetry and Prose<\/em><\/p>\n

\u201cThe Typology of Paradise Regained<\/em>\u201d \u25cf The Return of Eden<\/em>, 118\u201342<\/p>\n

\u201cLiterature as Context: Milton\u2019s Lycidas<\/em>\u201d \u25cf Fables of Identity<\/em>, 119\u201329<\/p>\n

The Return of Eden: Five Essays on Milton\u2019s Epics<\/em><\/p>\n

\u201cThe Revelation to Eve\u201d \u25cf The Stubborn Structure<\/em>, 135\u201359<\/p>\n

\u201cAgon and Logos: Revolution and Revelation\u201d \u25cf Spiritus Mundi<\/em>, 201\u201327<\/p>\n

Tribute to B. Rajan<\/p>\n

\u201cBlake on Trial Again\u201d \u25cf Reading the World<\/em>, 160\u20133<\/p>\n

Review of The Portable Blake<\/em> \u25cf Reading the World<\/em>, 160\u20133<\/p>\n

\u201cBlake\u2019s Treatment of the Archetype\u201d<\/p>\n

Review of Bernard Blackstone\u2019s English Blake<\/em><\/p>\n

\u201cPoetry and Design in William Blake\u201d<\/p>\n

\u201cIntroduction\u201d to Selected Poetry and Prose of William Blake<\/em><\/p>\n

Review of David Erdman\u2019s Blake: Prophet against Empire<\/em><\/p>\n

\u201cNotes for a Commentary on Milton<\/em>\u201d<\/p>\n

\u201cWilliam Blake (I)\u201d<\/p>\n

\u201cBlake After Two Centuries\u201d \u25cf Fables of Identity<\/em>, 138\u201350<\/p>\n

\u201cBlake\u2019s Introduction to Experience\u201d<\/p>\n

\u201cEditor\u2019s Preface\u201d to Peter F. Fisher, The Valley of Vision: Blake as Prophet and Revolutionary<\/em><\/p>\n

\u201cThe Road of Excess\u201d \u25cf The <\/em>Stubborn Structure<\/em>, 160\u201374<\/em><\/p>\n

\u201cIntroduction\u201d to Blake: A Collection of Critical Essays<\/em><\/p>\n

\u201cThe Keys to the Gates\u201d \u25cf The Stubborn Structure<\/em>, 175\u201399<\/p>\n

\u201cWilliam Blake (II)\u201d<\/p>\n

\u201cWilliam Blake, 1757-1827, Adam and Eve and the Angel Gabriel, 1808\u201d<\/p>\n

\u201cBlake\u2019s Reading of the Book of Job\u201d \u25cf Spiritus Mundi<\/em>, 228\u201344<\/p>\n

\u201cWilliam Blake (III)\u201d \u25cf Reading the World<\/em>, 192\u2013201<\/p>\n

\u201cBlake\u2019s Biblical Illustrations\u201d \u25cf The Eternal Act of Creation<\/em>, 62\u201378<\/p>\n

\u201cBlake\u2019s Bible\u201d \u25cf Myth and Metaphor<\/em>, 270\u201386<\/p>\n

\u00a0Volume 17<\/strong><\/strong><\/p>\n

Northrop Frye\u2019s Writings on the Eighteenth and Nineteenth Centuries<\/em>.\u00a0 Ed. Imre Salusinszky.\u00a0 Toronto: University of Toronto Press, 2005.\u00a0 xli + 415 pp.<\/p>\n

Contents:<\/p>\n

\u201cThe Young Boswell\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 165\u20139<\/p>\n

\u201cTowards Defining an Age of Sensibility\u201d \u25cf Fables of Identity<\/em>, 130\u20137<\/p>\n

\u201cNature Methodized\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 147\u201355<\/p>\n

\u201cVarieties of Eighteenth\u2011Century Sensibility\u201d \u25cf The Eternal Act of Creation<\/em>, 94\u2013108<\/p>\n

\u201cCBC Goethe Salute\u201d<\/p>\n

\u201cLong Sequacious Notes\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 170\u20137<\/p>\n

\u201cLord Byron\u201d\u00a0 Fables of Identity<\/em>, 168\u201389<\/p>\n

\u201cForeword\u201d to Romanticism Reconsidered: Selected Papers from the English Institute<\/em><\/p>\n

\u201cThe Drunken Boat: The Revolutionary Element in Romanticism\u201d \u25cf The Stubborn Structure<\/em>, 200\u201317<\/p>\n

\u201cPreface\u201d to Some British Romantics: A Collection of Essays<\/em><\/p>\n

A Study of English Romanticism<\/em><\/p>\n

\u201cJohn Keats\u201d<\/p>\n

\u201cKathleen Hazel Coburn\u201d<\/p>\n

\u201cHow It Was\u201d<\/p>\n

\u201cIn the Earth or in the Air?\u201d<\/p>\n

Review of Patience<\/em> [Gilbert and Sullivan] and The Silver Box<\/em> [Galsworthy]<\/p>\n

Review of H.M.S. Pinafore<\/em>\u201d<\/p>\n

Iolanthe<\/em><\/p>\n

Review of Iolanthe<\/em><\/p>\n

Review of M.C. Bradbrook\u2019s Ibsen the Norwegian: A Revaluation<\/em><\/p>\n

Review of What Maisie Knew<\/em> by Henry James; In a Glass Darkly<\/em> by Sheridan LeFanu; and On Art and Socialism<\/em> by William Morris<\/p>\n

\u201cAn Important Influence\u201d<\/p>\n

Review of Joan Evans\u2019s John Ruskin<\/em><\/p>\n

\u201cEmily Dickinson\u201d \u25cf Fables of Identity<\/em>, 193\u2013217<\/p>\n

\u201cThe Problem of Spiritual Authority in the Nineteenth Century\u201d \u25cf The Stubborn Structure<\/em>, 241\u201356<\/p>\n

\u201cDickens and the Comedy of Humors\u201d \u25cf The Stubborn Structure<\/em>, 218\u201340<\/p>\n

\u201cThe Meeting of Past and Future in William Morris\u201d \u25cf Myth and Metaphor<\/em>, 322\u201339<\/p>\n

\u201cThe World as Music and Idea in Wagner\u2019s Parsifal<\/em>\u201d \u25cf Myth and Metaphor<\/em>, 340\u201355<\/p>\n

\u201cSome Reflections on \u201cLife and Habit\u201d \u25cf Myth and Metaphor<\/em>, 141\u201354<\/p>\n

Volume 18<\/strong><\/p>\n

\u00a0\u201cThe Secular Scripture\u201d and Other Writings on Critical Theory<\/em> .\u00a0 <\/em>Ed. Joseph Adamson and Jean Wilson.\u00a0 Toronto: University of Toronto Press, 2006.\u00a0 xliii + 588 pp.<\/p>\n

Contents:<\/p>\n

The Secular Scripture<\/em><\/p>\n

\u201cRomance as Masque\u201d \u25cf Spiritus Mundi<\/em>, 148\u201378<\/p>\n

\u201cLetter to the Editor of Parabola<\/em>\u201d<\/p>\n

\u201cThe Responsibilities of the Critic\u201d \u25cf Myth and Metaphor<\/em>, 124\u201340<\/p>\n

Comment on Peter Hughes\u2019s Essay<\/p>\n

\u201cLiterature, History, and Language\u201d<\/p>\n

\u201cOn Translation\u201d<\/p>\n

Extracts from The Practical Imagination: Stories, Poems, Plays<\/em><\/p>\n

\u201cVision and Cosmos\u201d<\/p>\n

\u201cLiterature as a Critique of Pure Reason\u201d \u25cf Myth and Metaphor<\/em>, 168\u201382<\/p>\n

\u201cApproaching the Lyric\u201d \u25cf The Eternal Act of Creation<\/em>, 130\u20136<\/p>\n

\u201cThe Survival of Eros in Poetry\u201d \u25cf Myth and Metaphor<\/em>, 44\u201359; A World in a Grain of Sand<\/em>, 281\u2013302<\/p>\n

\u201cThe Ouroboros\u201d<\/p>\n

\u201cLiterary and Linguistic Scholarship in a Postliterate World\u201d \u25cf Myth and Metaphor<\/em>, 18\u201327<\/p>\n

\u201cThe End of History\u201d<\/p>\n

\u201cMyth as the Matrix of Literature\u201d<\/p>\n

\u201cThe Koine of Myth: Myth as a Universally Intelligible Language\u201d \u25cf Myth and Metaphor<\/em>, 3\u201317<\/p>\n

\u201cThe Symbol as a Medium of Exchange\u201d \u25cf Myth and Metaphor<\/em>, 28\u201343<\/p>\n

\u201cThe Expanding World of Metaphor\u201d \u25cf Myth and Metaphor<\/em>, 108\u201323<\/p>\n

\u201cExtracts from The Harper Handbook to Literature<\/em>\u201d<\/p>\n

Letter to the Editor of PMLA<\/em><\/p>\n

\u201cLacan and the Full Word\u201d<\/p>\n

\u201cLiterature and the Visual Arts\u201d \u25cf Myth and Metaphor<\/em>, 183\u201395<\/em><\/p>\n

\u201cThe Journey as Metaphor\u201d \u25cf Myth and Metaphor<\/em>, 212\u201326<\/p>\n

\u201cFramework and Assumption\u201d \u25cf Myth and Metaphor<\/em>, 79\u201392<\/p>\n

\u201cMaps and Territories\u201d<\/p>\n

\u201cEpilogo\u201d<\/p>\n

\u201cAuguries of Experience\u201d \u25cf The Eternal Act of Creation<\/em>, 3\u20138<\/p>\n

\u201cLiterary and Mechanical Models\u201d \u25cf The Eternal Act of Creation<\/em>, 9\u201320<\/p>\n

\u201cLiterature as Therapy\u201d \u25cf The Eternal Act of Creation<\/em>, 21\u201334<\/p>\n

Response to Papers on \u201cNorthrop Frye and Eighteenth-Century Literature\u201d<\/p>\n

\u00a0Volume 19<\/strong><\/strong><\/p>\n

The Great Code: The Bible and Literature<\/em>.\u00a0 Ed. Alvin A. Lee.\u00a0 Toronto: University of Toronto Press, 2006.\u00a0 xlix + 380 pp.<\/p>\n

\u00a0Volume 20<\/strong><\/p>\n

Northrop Frye\u2019s Notebooks on Renaissance Literature<\/em>.\u00a0 Ed. Michael Dolzani.\u00a0 Toronto: University of Toronto Press, 2006.\u00a0 lx + 494 pp.<\/p>\n

Contents:<\/p>\n

Guggenheim Fellowship Application, Notes 60-1, Notebook 43, Notes 55\u20116, Notebooks 8, 9, and 13a, Notes 54\u201113 and 58\u20115, Notebook 29, Notes 58\u20117, Notebooks 13b and 14b, Notes 58\u20116, with an appendix on \u201cFrye\u2019s Books and Articles on Shakespeare and Drama\u201d<\/p>\n

Volume 21<\/strong><\/p>\n

\u201cThe Educated Imagination\u201d and Other Writings on Critical Theory, 1933\u20131963<\/em>.\u00a0 Ed. Germaine Warkentin.\u00a0 Toronto: University of Toronto Press, 2006.\u00a0 xlix + 553 pp.<\/p>\n

Contents.<\/p>\n

\u201cDr. Edgar\u2019s Book\u201d \u25cf Reading the World<\/em>, 123\u20136<\/p>\n

\u201cArt Does Need Sociability\u201d<\/p>\n

\u201cMusic in Poetry\u201d<\/p>\n

\u201cThe Anatomy in Prose Fiction\u201d<\/p>\n

\u201cThe Nature of Satire\u201d<\/p>\n

Review of Nichols and Kirkup\u2019s The Cosmic Shape<\/em><\/p>\n

Review of R.F. Patterson\u2019s The Story of English Literature<\/em><\/p>\n

\u201cThe Function of Criticism at the Present Time\u201d<\/p>\n

\u201cLevels of Meaning in Literature\u201d<\/p>\n

\u201cThe Four Forms of Prose Fiction\u201d<\/p>\n

\u201cA Conspectus of Dramatic Genres\u201d<\/p>\n

\u201cThe Archetypes of Literature\u201d \u25cf Fables of Identity<\/em>, 7\u201320<\/p>\n

\u201cThree Meanings of Symbolism\u201d<\/p>\n

\u201cThe Oxford Dictionary of Nursery Rhymes\u201d \u25cf Reading the World<\/em>, 146\u20139<\/p>\n

\u201cTowards a Theory of Cultural History\u201d<\/p>\n

\u201cArt in a New Modulation\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 111\u201316<\/p>\n

\u201cMinistry of Angels\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 175\u201383<\/p>\n

\u201cCritics and Criticism\u201d \u25cf Reading the World<\/em>, 126\u201331<\/p>\n

\u201cMyth as Information\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 67\u201375<\/p>\n

\u201cContent with the Form\u201d \u25cf Reading the World<\/em>, 131\u20136<\/p>\n

\u201cForming Fours\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 117\u201329<\/p>\n

\u201cThe Language of Poetry\u201d<\/p>\n

\u201cThe Transferability of Literary Concepts\u201d \u25cf Reading the World<\/em>, 136\u201342<\/p>\n

\u201cAn Indispensable Book\u201d \u25cf Reading the World<\/em>, 142\u20137<\/p>\n

\u201cPreface\u201d and \u201cIntroduction: Lexis and Melos\u201d<\/p>\n

The Ulysses Theme<\/em> by W. B. Stanford and Tragic Themes in Western Literature <\/em><\/p>\n

\u201cNature and Homer\u201d \u25cf Fables of Identity<\/em>, 39\u201351<\/p>\n

\u201cSir James Frazer\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 84\u201394<\/p>\n

\u201cInterior Monologue of M. Teste\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 188\u201396<\/p>\n

\u201cWorld Enough Without Time\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 95\u2013106<\/p>\n

\u201cLiterature as Possession\u201d<\/p>\n

\u201cNew Directions from Old\u201d \u25cf Fables of Identity<\/em>, 52\u201366<\/p>\n

\u201cThe Well-Tempered Critic (I)\u201d<\/p>\n

The Well-Tempered Critic<\/em> (II)<\/p>\n

\u201cMyth, Fiction and Displacement\u201d \u25cf Fables of Identity<\/em>, 21\u201338<\/p>\n

\u201cThe Imaginative and the Imaginary\u201d \u25cf Fables of Identity<\/em>, 151\u201367<\/p>\n

The Educated Imagination<\/em><\/p>\n

\u00a0Volume 22<\/strong><\/p>\n

Anatomy of Criticism: Four Essays.\u00a0 <\/em>Ed. Robert D. Denham.\u00a0 Toronto: University of Toronto Press, 2006.\u00a0 lxxii + 450 pp.<\/p>\n

\u00a0Volume 23<\/strong><\/p>\n

Northrop Frye\u2019s Notebooks for \u201cAnatomy of Criticism.\u201d\u00a0 <\/em>Ed. Robert D. Denham.\u00a0 Toronto: University of Toronto Press, 2007.\u00a0 xxi + 450 pp.<\/p>\n

Contents:<\/p>\n

Notebooks 7, 37, and 38, Notes for Anatomy of Criticism<\/em>, Notebooks 35, 36, 18, 30d, 30e, 30f, 30g, 30h, 30i, 30j, 30k, 30l, 30o\u2011a, and 30q.<\/p>\n

\u00a0Volume 24<\/strong><\/p>\n

Interviews with Northrop Frye<\/em>.\u00a0 Ed. Jean O\u2019Grady.\u00a0 Toronto: University of Toronto Press, 2008. xlvi + 1220 pp.\u00a0 One\u2011hundred\u2011eleven interviews with Frye, conducted over the course of forty\u2011two years.<\/p>\n

\u00a0Volume 25<\/strong><\/p>\n

Northrop Frye\u2019s Fiction and Miscellaneous Writings<\/em>.\u00a0 Ed. Robert D. Denham and Michael Dolzani.\u00a0 Toronto: University of Toronto Press, 2007.\u00a0 lviii + 519 pp.<\/p>\n

Contents:<\/p>\n

Notebook 42b: Autobiographical Notes<\/p>\n

Autobiographical Notes II. Outline of the Ogdoad<\/p>\n

Autobiographical Notes III: First Memories<\/p>\n

Autobiographical Notes IV: Critic and Writer<\/p>\n

Notebook 30r: Autobiographical Notes V: Injunctions<\/p>\n

Memoir: Helen Kemp Frye<\/p>\n

Robins Eulogy<\/p>\n

Memories of Victoria College<\/p>\n

Speech at Moncton\u2019s Centennial Celebration: Diversity in Unity<\/p>\n

Ghost<\/p>\n

Fable\u00a0 . . . in the Nineteenth\u2011Century Idiom<\/p>\n

Face to Face<\/p>\n

Affable Angel<\/p>\n

Resurgent<\/p>\n

Prelude<\/p>\n

Interpreter\u2019s Parlour<\/p>\n

Incident from The Golden Bough<\/em><\/p>\n

From Notebook 2: Chapters 1\u20134<\/p>\n

From Notebook 1: Notes on Character and Style<\/p>\n

Notebook 30m: Sketching the Plot<\/p>\n

Notebook 4: Early Reflections on Fiction Writing<\/p>\n

Notebook 20: The Double Vision<\/p>\n

Notebook 28: Philosophical Romance<\/p>\n

Notebook 30o: Space\u2011Journey Fiction<\/p>\n

From Notebook 2: Bardo Novel<\/p>\n

Notes on the Academic Novel<\/p>\n

Notes on Twilight<\/em><\/p>\n

Notebook 5: Baroque and Classical Composers<\/p>\n

Notebook 17: William Byrd<\/p>\n

Modal Harmony in Music<\/p>\n

Hart House Quartet<\/p>\n

Bach Recital<\/p>\n

Notes for \u201cThe World as Music and Idea in Wagner\u2019s Parsifal<\/em>\u201d<\/p>\n

Notes for \u201cLiterature and the Visual Arts\u201d<\/p>\n

On Violence<\/p>\n

Television Violence<\/p>\n

Canadian Literature and Culture<\/p>\n

Notes for \u201cCulture as Interpenetration\u201d<\/p>\n

Notes for \u201cCriticism and Environment\u201d (1)<\/p>\n

Notes for \u201cCriticism and Environment (2)<\/p>\n

Notes for \u201cThe Human and the Humane\u201d<\/p>\n

Harold Innis<\/p>\n

The Governor General\u2019s Awards<\/p>\n

Introduction to Canadian Literature: Moscow Talk<\/p>\n

Notes for \u201cLevels of Cultural Identity\u201d<\/p>\n

Notes for The Myth of Deliverance<\/em>, chapter 3: \u201cThe Reversal of Reality\u201d<\/p>\n

A Midsummer Night\u2019s Dream<\/em>: Theseus\u2019s Speech<\/p>\n

Notes for \u201cVarieties of Eighteenth-Century Sensibility\u201d<\/p>\n

Jane Austen<\/p>\n

Notebook 30a.\u00a0 Thomas Carlyle<\/p>\n

Notebook 30b. Matthew Arnold<\/p>\n

Notebook 30c.\u00a0 John Stuart Mill<\/p>\n

George Bernard Shaw<\/p>\n

T.S. Eliot\u2019s Four Quartets<\/em><\/p>\n

Notes for \u201cBruno, Vico and the Wake\u201d<\/p>\n

W.H. Auden\u2019s For the Time Being<\/em><\/p>\n

Notes for \u201cApproaching the Lyric\u201d<\/p>\n

Reconsidering Levels of Meaning 1979<\/p>\n

Preface to Essays on Myth<\/p>\n

Ponc\u00e9\u2019s Kabbalah<\/p>\n

Literature and Language<\/p>\n

Reconciliation with Nature<\/p>\n

On Translation<\/p>\n

Critical Views<\/p>\n

Framework and Assumption<\/p>\n

Paul de Man<\/p>\n

Preface to Essays Translated into Russian<\/p>\n

On Language<\/p>\n

On Education I<\/p>\n

On Education II<\/p>\n

On Education III<\/p>\n

Summa<\/p>\n

Review of Paul Tillich, Systematic Theology<\/em>, Vol. 3<\/p>\n

Blake\u2019s Job Illustrations<\/p>\n

Parallels<\/p>\n

Contrasts<\/p>\n

Words with Power<\/em> Themes<\/p>\n

Notes for \u201cThe Dialectic of Belief and Vision\u201d<\/p>\n

Notes for \u2018The Bride from a Strange Land\u201d<\/p>\n

Notes for \u201cCrime and Sin in the Bible\u201d<\/p>\n

Words with Power<\/em>: Draft Introduction<\/p>\n

Prayers<\/p>\n

\u00a0Volume 26<\/strong><\/p>\n

Words with Power: Being a Second Study of \u201cThe Bible and Literature<\/em>.\u00a0 Ed. Michael Dolzani.\u00a0 Toronto: University of Toronto Press, 2008. lvi + 343 pp.<\/p>\n

\u00a0Volume 27<\/strong><\/p>\n

\u201cThe Critical Path\u201d and Other Writings on Critical Theory, 1963\u20131975<\/em>.\u00a0 Ed. Eva Kushner and Jean O\u2019Grady.\u00a0 Toronto: University of Toronto Press, 2009.\u00a0 xliv + 492 pp.<\/p>\n

Contents:<\/p>\n

The Critical Path: An Essay on the Social Context of Literary Criticism<\/em><\/p>\n

\u201cLiterary Criticism\u201d<\/p>\n

\u201cMyth and Poetry\u201d<\/p>\n

\u201cPreface\u201d in The Psychoanalysis of Fire<\/em> by Gaston Bachelard<\/p>\n

\u201cAfter the Invocation a Lapse into Litany\u201d<\/p>\n

\u201cCriticism Visible and Invisible\u201d \u25cf The Stubborn Structure<\/em>, 74\u201389<\/p>\n

\u201cThe Structure and Spirit of Comedy\u201d<\/p>\n

\u201cThe Norms of Satire\u201d<\/p>\n

\u201cAllegory\u201d<\/p>\n

\u201cVerse and Prose\u201d<\/p>\n

\u201cVarieties of Literary Utopias\u201d \u25cf The Stubborn Structure<\/em>, 109\u201334<\/p>\n

\u201cLetter to the English Institute 1965\u201d<\/p>\n

\u201cReflections in a Mirror\u201d<\/p>\n

\u201cDesign as a Creative Principle in the Arts\u201d \u25cf\u00a0 The Stubborn Structure<\/em>, 56\u201365<\/p>\n

\u201cLiterature and Myth\u201d<\/p>\n

\u201cWelcoming Remarks to Conference on Editorial Problems\u201d<\/p>\n

\u201cOn Value Judgments\u201d \u25cf The Stubborn Structure<\/em>, 66\u201373<\/p>\n

\u201cLiterature and Society\u201d \u25cf Reading the World<\/em>, 177\u201392<\/p>\n

\u201cMythos<\/em> and Logos<\/em>\u201d \u25cf Northrop Frye on Literature and Society<\/em>, 347\u201365<\/p>\n

\u201cThe Myth of Light\u201d \u25cf Reading the World<\/em>, 55\u20137<\/p>\n

\u201cOld and New Comedy\u201d \u25cf Spiritus Mundi<\/em>, 148\u201356<\/p>\n

\u201cSign and Significance\u201d<\/p>\n

\u201cLiterature and the Law\u201d \u25cf Reading the World<\/em>, 340\u20139<\/p>\n

\u201cThe Search for Acceptable Words\u201d \u25cf Spiritus Mundi<\/em>, 3\u201326<\/p>\n

\u201cThe Times of the Signs\u201d \u25cf Spiritus Mundi<\/em>, 66\u201396<\/p>\n

\u201cThe Rhythms of Time\u201d \u25cf Myth and Metaphor<\/em>, 157\u201367<\/p>\n

\u201cCharms and Riddles\u201d \u25cf Spiritus Mundi<\/em>, 123\u201347<\/p>\n

\u201cExpanding Eyes\u201d \u25cf Spiritus Mundi<\/em>, 99\u2013122<\/p>\n

\u00a0 Volume 28<\/strong><\/p>\n

Northrop Frye\u2019s Writings on Shakespeare and the Renaissance.\u00a0 <\/em>Ed. Garry Sherbert and Troni Grande.\u00a0 Toronto: University of Toronto Press, 2010. lxi + <\/em>794 pp.\u00a0 \u00a0<\/em><\/p>\n

Contents:<\/p>\n

\u201cThe Argument of Comedy\u201d<\/p>\n

\u201cDon Quixote<\/em>\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 159\u201364<\/p>\n

\u201cComic Myth in Shakespeare\u201d<\/p>\n

\u201cCharacterization in Shakespearean Comedy\u201d<\/p>\n

\u201cMoli\u00e8re\u2019s Tartuffe<\/em>\u201d<\/p>\n

\u201cIntroduction\u201d to Shakespeare\u2019s Tempest<\/em><\/p>\n

\u201c<\/em>The Structure of Imagery in The Faerie Queene<\/em>\u201d \u25cf Fables of Identity<\/em>, 69\u201387<\/p>\n

\u201cShakespeare\u2019s Experimental Comedy\u201d<\/p>\n

\u201dThe Tragedies of Nature and Fortune\u201d<\/p>\n

\u201cProposal of a Toast\u201d<\/p>\n

\u201cHow True a Twain\u201d \u25cf\u00a0 Fables of Identity<\/em>, 88\u2013106<\/p>\n

\u201cRecognition in The Winter\u2019s Tale<\/em>\u201d \u25cf Fables of Identity<\/em>, 107\u201318<\/p>\n

A Natural Perspective: Essays on the Development of Shakespearean Comedy and Romance<\/em><\/p>\n

\u201c<\/em>Shakespeare and the Modern World\u201d \u25cf Reading the World<\/em>, 167\u201377<\/p>\n

\u201cNature and Nothing\u201d<\/p>\n

Fools of Time:\u00a0 Studies in Shakespearean Tragedy<\/em><\/p>\n

\u201cGeneral Editor\u2019s Introduction,\u201d in Shakespeare Series<\/em><\/p>\n

\u201cShakespeare\u2019s The Tempest<\/em>\u201d \u25cf The Eternal Act of Creation<\/em>, 81\u201393<\/p>\n

\u201c\u2018Il Cortegiano\u2019 in una societ\u00e0 senza Cortegiani\u201d \u25cf Myth and Metaphor<\/em> 307\u201321<\/p>\n

The Myth of Deliverance:\u00a0 Reflections on Shakespeare\u2019s Problem Comedies<\/em><\/p>\n

\u201cSomething Rich and Strange:\u00a0 Shakespeare\u2019s Approach to Romance\u201d<\/p>\n

\u201cThe Stage is All the World\u201d \u25cf Myth and Metaphor<\/em>, 196\u2013211<\/p>\n

Northrop Frye on Shakespeare<\/em><\/p>\n

Speech on acceptance of Governor-General\u2019s award for Northrop Frye on Shakespeare<\/em><\/p>\n

\u201cNatural and Revealed Communities\u201d \u25cf Myth and Metaphor<\/em>, 625\u201341<\/p>\n

\u201cForeword\u201d to Unfolded Tales: Essays on Renaissance Romance<\/em><\/p>\n

\u00a0<\/em>Volume 29<\/strong><\/p>\n

Northrop Frye\u2019s Writings on Twentieth-Century Literature<\/em>.\u00a0 Ed. Glen Robert Gill.\u00a0 Toronto: University of Toronto Press, 2010.\u00a0 lviii + 445 pp.<\/p>\n

Contents:<\/p>\n

\u201cThe Monocle: Press Cuttings\u201d<\/p>\n

\u201cDelicate Rhythms\u201d<\/p>\n

\u201cExperiment\u201d<\/p>\n

\u201cPoetry\u201d<\/p>\n

\u201cPoetry\u201d<\/p>\n

Review of Henry W. Wells\u2019s New Poets from Old<\/em><\/p>\n

Review of Irene H. Moody\u2019s Lava<\/em><\/p>\n

Review of Our Lady Peace and Other War Poems<\/em> by Mark van Doren and Poems <\/em>by John Berryman<\/p>\n

\u201cA Mixed Bag\u201d<\/p>\n

Review of New Writing and Daylight<\/em><\/p>\n

Review of Voices: A Critical Quarterly<\/em> ed. Ralph Gustafson and Genesis: Book One<\/em> by Delmore Schwartz<\/p>\n

Review of New Writing and Daylight Winter 1943-44<\/em> ed. John Lehmann<\/p>\n

Review of I Jones Soldier<\/em> by Joseph Schull<\/p>\n

Review of James Laughlin, ed. New Directions in Prose and Poetry 1944<\/em><\/p>\n

Review of V-Letter and Other Poems<\/em> by Karl Shapiro<\/p>\n

Review of The Phoenix and the Tortoise<\/em> by Kenneth Rexroth<\/p>\n

Review of Selected Tales<\/em> by A.E. Coppard and Bottle\u2019s Path and Other Stories<\/em> by T.F. Powys<\/p>\n

Review of Animal Farm<\/em> by George Orwell<\/p>\n

\u201cThe Betjeman Brand\u201d<\/p>\n

Review of New Writing and Daylight 1946<\/em><\/p>\n

Review of The Kafka Problem<\/em><\/p>\n

Review of Roderick Hudson<\/em> by Henry James<\/p>\n

\u201cYeats and the Language of Symbolism\u201d \u25cf Fables of Identity<\/em>, 218\u201337<\/p>\n

Review of The Shadow of<\/em> Cain by Edith Sitwell<\/p>\n

\u201cFor Tory and Leftist\u201d<\/p>\n

Review of The Moment and Other Essays <\/em>by Virginia Woolf<\/p>\n

Brief reviews of The World is Wide Enough<\/em> by Percy Coates, Russian Child and Russian Wife<\/em> by Tanya Matthews, Coral and Brass<\/em> by Holland M. Smith, Arabian Oil<\/em> by Raymond F. Mikesell and Hollis B. Cheney<\/p>\n

\u201cTo Define True Madness\u201d<\/p>\n

\u201cGeorge Orwell\u201d<\/p>\n

\u201cNovels on Several Occasions\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 207\u201318<\/p>\n

\u201cPhalanx of Particulars\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 197\u2013203<\/p>\n

\u201cGraves Gods and Scholars\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 230\u20136<\/p>\n

\u201cQuest and Cycle in Finnegans Wake\u201d \u25cf Fables of Identity<\/em>, 256\u201364<\/p>\n

\u201cPoetry of the Tout Ensemble\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 237\u201342<\/p>\n

\u201cThe Realistic Oriole: A Study of Wallace Stevens\u201d \u25cf Fables of Identity<\/em>, 238\u201355<\/p>\n

\u201cReligion and Modern Poetry\u201d \u25cf Reading the World<\/em>, 228\u201341<\/p>\n

\u201cThe Nightmare Life in Death\u201d \u25cf Northrop Frye on Culture and Literature<\/em>, 219\u201329<\/p>\n

\u201cComment\u201d on Walter J. Ong\u2019s paper \u201cSynchronic Present\u201d<\/p>\n

T. S. Eliot<\/em><\/p>\n

Tribute to John Crowe Ransom<\/p>\n

\u201cThe Rising of the Moon: A Study of A Vision<\/em>\u201d \u25cf Spiritus Mundi<\/em>, 245\u201374<\/p>\n

\u201cForeword\u201d to 1984<\/em> by George Orwell<\/p>\n

\u201cThe Top of the Tower: A Study of the Imagery of Yeats\u201d \u25cf The Stubborn Structure<\/em>, 257\u201377<\/p>\n

Draft introduction to Twentieth-Century Literature<\/p>\n

\u201cWallace Stevens and the Variation Form\u201d \u25cf Spiritus Mundi<\/em>, 273\u201394<\/p>\n

\u201cAldous Huxley\u201d<\/p>\n

\u201cIntroduction\u201d to Rolls Royce and Other Poems<\/em> by Giorgio Bassani<\/p>\n

\u201cCycle and Apocalypse in Finnegans Wake<\/em>\u201d \u25cf Myth and Metaphor<\/em> 356\u201374<\/p>\n

\u201cHenry James and the Comedy of the Occult\u201d \u25cf The Eternal Act of Creation<\/em>, 109\u201329<\/p>\n

\u00a0<\/em><\/p>\n

Index<\/strong><\/p>\n

\u201cAcademy without Walls\u201d \u25cf CW 11: 126\u201333<\/p>\n

\u201cAcross the River and out of the Trees\u201d \u25cf CW 12: 547\u201363<\/p>\n

\u201cAddress at the Installation of Gordon Keyes as Principal of Victoria College\u201d \u25cf CW 7: 481\u20132<\/p>\n

\u201cAddress by Dr. H. Northrop Frye, Recipient of the Royal Bank Award, An\u201d \u25cf CW 7: 507\u201316<\/p>\n

\u201cAddress to the Graduating Class of Victoria College\u201d \u25cf CW 7: 66\u20138<\/p>\n

\u201cAffable Angel\u201d \u25cf CW 25: 67\u20139<\/p>\n

\u201cAfter the Invocation, a Lapse into Litany\u201d \u25cf CW 27: 143\u20136<\/p>\n

\u201cAfterword,\u201d Hetty Dorval<\/em> by Ethel Wilson \u25cf CW 12: 655\u20137<\/p>\n

\u201cAge and Type of Christianity in the Epistle of James, The\u201d \u25cf CW 3: 155\u201358<\/p>\n

\u201cAgon and Logos: Revolution and Revelation\u201d \u25cf CW 16: 156\u201378<\/p>\n

\u201cAldous Huxley\u201d \u25cf CW 29: 325\u20137<\/p>\n

\u201cAlessandro Manzoni, The Betrothed<\/em>, and P\u00e4r Lagerkvist, Barabbas<\/em>\u201d \u25cf CW 10: 318\u201320<\/p>\n

\u201cAllegory\u201d \u25cf CW \u00a027: 171\u20137<\/p>\n

\u201cAmerica: True or False?\u201d \u25cf CW 12: 403\u20135<\/p>\n

\u201cAnalogy of Democracy, The\u201d \u25cf CW 4: 270\u20137<\/p>\n

\u201cAnarchism and the Universities\u201d \u25cf CW 7: 360\u201378<\/p>\n

\u201cAnatomy in Prose Fiction, The\u201d \u25cf CW 21: 23\u201338<\/p>\n

Anatomy of Criticism: Four Essays<\/em> \u25cf CW 22<\/p>\n

\u201cApproaching the Lyric\u201d \u25cf CW 18: 245\u201351<\/p>\n

\u201cArchetypes of Literature, The\u201d \u25cf CW 21: 121\u201335<\/p>\n

\u201cArgument of Comedy, The\u201d \u25cf CW 28: 3\u201313<\/p>\n

\u201cArt Does Need Sociability\u201d \u00a0\u25cf CW 21: 7\u20138<\/p>\n

\u201cArt in a New Modulation\u201d \u25cf CW 21: 169\u201374<\/p>\n

\u201cArthur Richard Cragg\u201d \u25cf CW 7: 14\u201316<\/p>\n

\u201cArticulate English\u201d \u25cf CW 10: 236\u201342<\/p>\n

\u201cAt a Memorial Service for Deceased Students\u201d \u25cf CW 4: 278\u20139<\/p>\n

\u201cAuguries of Experience\u201d \u25cf CW 18: 444\u201350<\/p>\n

\u201cAugustinian Interpretation of History, The\u201d \u25cf CW 3: 191\u2013216<\/p>\n

\u201cAuthority of Learning, The\u201d \u25cf CW 7: 568\u201376<\/p>\n

\u201cAutobiographical Notes II: Outline of the Ogdoad\u201d \u25cf CW 25: 27\u201330<\/p>\n

\u201cAutobiographical Notes III: First Memories\u201d \u25cf CW 25: 30\u20133<\/p>\n

Autobiographicalk Notes IV: The Critic and the Writer\u201d \u25cf CW 25: 33\u20137<\/p>\n

\u201cAutopsy on an Old Grad\u2019s Grievance\u201d \u25cf CW 7: 123\u20136<\/p>\n

 <\/p>\n

\u201cBaccalaureate Sermon\u201d \u25cf CW 4: 280\u20136<\/p>\n

\u201cBaccalaureate Service\u201d \u25cf CW 4: 338, 371\u20132<\/p>\n

\u201cBach Recital\u201d \u25cf CW 25: 188\u20139<\/p>\n

\u201cBack to Work\u201d \u25cf CW 7: 53\u20134<\/p>\n

\u201cBallet Russe\u201d \u25cf CW 11: 76\u20138<\/p>\n

\u201cBarker Fairley\u201d \u25cf CW 12: 634\u20136<\/p>\n

\u201cThe Basis of Primitivism\u201d \u25cf CW 3: 3\u201310<\/p>\n

\u201cBeginning of the Word, The\u201d \u25cf CW 7: 539\u201350<\/p>\n

\u201cBeginnings\u201d \u25cf CW 12: 564\u20136<\/p>\n

\u201cBenediction\u201d \u25cf CW 4: 371<\/p>\n

\u201cBetjeman Brand, The\u201d \u25cf CW 29: 74\u20135<\/p>\n

\u201cBible and English Literature, The\u201d \u25cf CW 4: 147\u201357<\/p>\n

\u201cBlake after Two Centuries\u201d \u25cf CW 16: 290\u2013302<\/p>\n

\u201cBlake on Trial Again\u201d \u25cf CW 16: 185\u20138<\/p>\n

\u201cBlake, William\u201d \u00a0\u25cf CW 16: 360\u20133<\/p>\n

\u201cBlake\u2019s Bible\u201d \u25cf CW 16: 419\u201335<\/p>\n

\u201cBlake\u2019s Biblical Illustrations\u201d \u25cf CW 16: 402\u201318<\/p>\n

\u201cBlake\u2019s Introduction to Experience\u201d \u25cf CW 16: 303\u201312<\/p>\n

\u201cBlake\u2019s Jerusalem<\/em>\u201d \u25cf CW 10: 196\u2013204.<\/p>\n

\u201cBlake\u2019s Reading of the Book of Job\u201d (I) and (II) \u25cf CW 16: 366\u201377, 387\u2013401<\/p>\n

\u201cBlake\u2019s Treatment of the Archetype\u201d \u25cf CW 16: 190\u2013206<\/p>\n

\u201cBob, The\u201d \u25cf CW 7: 3\u20134<\/p>\n

\u201cBook Learning and Barricades\u201d \u25cf CW 7: 324\u20135<\/p>\n

\u201cBreath of Fresh Air, A\u201d \u25cf CW 4:332\u201337<\/p>\n

\u201cBride from a Strange Land, The\u201d \u25cf CW 4: 104\u201316<\/p>\n

\u201cBridge of Language, The\u201d \u25cf CW 11: 313\u201329<\/p>\n

By Liberal Things<\/em> \u00a0\u25cf CW 7: 88\u2013102<\/p>\n

 <\/p>\n

\u201cCanada and Its Poetry\u201d \u25cf CW 12: 26\u201338<\/p>\n

\u201cCanada: New World without Revolution\u201d \u25cf CW 12: 435\u20137<\/p>\n

\u201cCanadian and Colonial Painting\u201d \u25cf CW 12: 14\u201316<\/p>\n

\u201cCanadian Art in London\u201d \u25cf CW 12: 7\u20139<\/p>\n

\u201cCanadian Authors Meet\u201d \u25cf CW 12: 49\u201350<\/p>\n

\u201cCanadian Culture Today\u201d \u25cf CW 12: 508\u201320<\/p>\n

\u201cCanadian Dreiser\u201d \u25cf CW 12: 756<\/p>\n

\u201cCanadian Identity and Cultural Regionalism\u201d \u25cf CW 10:\u00a0 266\u20139<\/p>\n

\u201cCanadian Poet\u201d \u25cf CW 12: 64\u20135<\/p>\n

\u201cCanadian Scene: Explorers and Observers\u201d \u25cf CW 12: 421\u20135<\/p>\n

\u201cCanadian Water\u2011Colours\u201d \u25cf CW 12: 10\u201311<\/p>\n

\u201cCardinal Mindszenty\u201d \u25cf CW 11: 220\u20131<\/p>\n

\u201cCase against Examinations, The\u201d \u25cf CW 7: 10\u201313<\/p>\n

\u201cCaution or Dither?\u201d \u25cf CW 11: 246\u20137<\/p>\n

\u201cCBC Goethe Salute\u201d \u25cf CW 17: 41\u20132<\/p>\n

\u201cChancellor\u2019s Message, The\u201d \u25cf CW 7: 523\u20134; \u25cf CW 12: 596\u20137<\/p>\n

\u201cChanging Pace of Canadian Education, The\u201d \u25cf CW 7: 166\u201376<\/p>\n

\u201cCharacterization in Shakespearean Comedy\u201d \u25cf CW 28: 33\u201341<\/p>\n

\u201cCharacters in Cadence<\/em>\u201d \u25cf CW 12: 5\u20136<\/p>\n

\u201cCharles Bruce Sissons\u201d \u25cf CW 7: 222\u20134<\/p>\n

\u201cCharms and Riddles\u201d \u25cf CW 27: 369\u201390<\/p>\n

\u201cChaucer\u2019s Canterbury Tales<\/em>\u201d \u25cf CW 10: 131\u20139<\/p>\n

\u201cChurch and Modern Culture\u201d \u25cf CW 11: 237\u201343<\/p>\n

\u201cChurch: Its Relation to Society, The\u201d \u25cf CW 4: 253\u201367<\/p>\n

\u201cClassics and the Man of Letters, The\u201d \u25cf CW 7: 215\u201321<\/p>\n

\u201cComic Myth in Shakespeare\u201d \u25cf CW 28: 20\u201332<\/p>\n

\u201cComment on Peter Hughes\u2019 Essay\u201d \u25cf CW 18: 170\u20131<\/p>\n

\u2018Comment on Walter J. Ong\u2019s Paper\u201d \u25cf CW 29: 168\u201378<\/p>\n

\u201cCommunications\u201d \u25cf CW 11: 134\u20139<\/p>\n

\u201cConcept of Sacrifice, The\u201d \u25cf CW 3: 111\u201325<\/p>\n

\u201cConclusion,\u201d First Edition of Literary History of Canada<\/em> \u25cf CW 12: 339\u201372<\/p>\n

\u201cConclusion,\u201d Second Edition of Literary History of Canada<\/em> \u25cf CW 12: 448\u201365<\/p>\n

\u201cCongratulatory Statement to Dartmouth University\u201d \u25cf CW 7: 394<\/p>\n

\u201cConspectus of Dramatic Genres, A\u201d \u25cf CW 21: 104\u201319<\/p>\n

\u201cContent with the Form\u201d \u25cf CW 21: 197\u2013202<\/p>\n

\u201cConvocation Address: Acadian University\u201d \u25cf CW 10: 333\u20136<\/p>\n

\u201cConvocation Address, Franklin and Marshall\u201d \u25cf CW 7: 317\u201323<\/p>\n

\u201cConvocation Address: McGill University\u201d \u25cf CW 10: 337\u20139<\/p>\n

\u201cConvocation Address: University of Bologna\u201d \u25cf CW 10: 340\u20136<\/p>\n

\u201cConvocation Address, University of British Columbia\u201d \u25cf CW 7: 179\u201384<\/p>\n

\u201cConvocation Address, York University\u201d \u25cf CW 7: 389\u201393<\/p>\n

\u201cCortegiano, Il\u201d \u25cf CW 28: 346\u201360<\/p>\n

Creation and Recreation<\/em> \u25cf CW 4: 35\u201382<\/p>\n

\u201cCrime and Sin in the Bible\u201d \u25cf CW 4: 133\u201346<\/p>\n

\u201cCritical Discipline, The\u201d \u25cf CW 7: 106\u201316<\/p>\n

The Critical Path <\/em>\u25cf CW 27: 3\u2013117<\/p>\n

\u201cCritic and the Writer, The\u201d \u25cf CW 7: 470\u20135<\/p>\n

\u201cCriticism and Environment\u201d \u25cf CW 12: 567\u201381<\/p>\n

\u201cCriticism and Society\u201d \u25cf CW 10: 228\u201335<\/p>\n

Criticism as Education<\/em> \u25cf CW 7: 525\u201338<\/p>\n

\u201cCriticism, Visible and Invisible\u201d \u25cf CW 27: 147\u201361<\/p>\n

Cultural Development of Canada, The<\/em> \u25cf CW 12: 665\u201374<\/p>\n

\u201cCulture and Society in Ontario\u201d \u25cf CW 12: 614\u201328<\/p>\n

\u201cCulture and the Cabinet\u201d \u25cf CW 12: 88\u201390<\/p>\n

Culture and the National Will<\/em> \u25cf CW 12:\u00a0 272\u20139<\/p>\n

\u201cCulture as Interpenetration\u201d \u25cf CW 12: 521\u201330<\/p>\n

\u201cCurrent Opera: A Housecleaning\u201d \u25cf CW 11: 73\u20135<\/p>\n

\u201cCycle and Apocalypse in Finnegans Wake<\/em>\u201d \u25cf CW 29: 332\u201349<\/p>\n

 <\/p>\n

\u201cDavid Milne: An Appreciation\u201d \u25cf CW 12: 71\u20134<\/p>\n

\u201cDay of Intellectual Battle: Reflections on Student Unrest, The\u201d \u25cf CW 7: 384\u20138<\/p>\n

\u201cDean of Critics\u201d \u25cf CW 12: 79\u201380<\/p>\n

\u201cDean of Women, The\u201d \u25cf CW 7: 177\u20138<\/p>\n

\u201cDecline of the West<\/em> by Oswald Spengler, The\u201d \u25cf CW 11: 287\u2013314<\/p>\n

\u201cDedicated Mind, The\u201d \u25cf CW 4: 360\u20136<\/p>\n

\u201cDefinition of a University, The\u201d \u25cf CW 7:406\u201331<\/p>\n

\u201cDelicate Rhythms\u201d \u25cf CW 29: 5\u20136<\/p>\n

\u201cDesign as a Creative Principle in the Arts\u201d \u25cf CW 27: 228\u201337<\/p>\n

\u201cDeveloping Imagination, The\u201d \u25cf CW 7: 143\u201359<\/p>\n

\u201cDialectic of Belief and Vision, The\u201d\u25cf CW 4: 344\u201359<\/p>\n

\u201cDialogue Begins\u201d \u25cf CW 7: 117\u201319<\/p>\n

\u201cDiatribes of Wyndham Lewis, The\u201d \u25cf CW 3: 345\u201380<\/p>\n

\u201cDickens and the Comedy of Humours\u201d \u25cf CW 17: 287\u2013308<\/p>\n

\u201cDoctrine of Salvation in John, Paul, and James, The\u201d \u25cf CW 3: 159\u201363<\/p>\n

\u201cDon Harron\u201d \u25cf CW 12: 637\u20138<\/p>\n

\u201cDon Quixote\u201d \u25cf CW 28: 14\u201319<\/p>\n

\u201cDouble Mirror, The\u201d \u25cf CW 4: 83\u201390<\/p>\n

Double Vision of Language, Nature, Time, and God, The<\/em> \u25cf CW 4: 166\u2013235<\/p>\n

\u201cDouglas Duncan\u201d \u25cf CW 12: 4313\u20134<\/p>\n

\u201cDr. Edgar\u2019s Book\u201d \u25cf CW 21: 7\u20138<\/p>\n

\u201cDr. Kinsey and the Dream Censor\u201d \u25cf CW 215\u201319<\/p>\n

Draft introduction to Twentieth-Century Literature \u25cf CW 29: 304\u20137<\/p>\n

\u201cDrunken Boat: The Revolutionary Element in Romanticism, The\u201d \u25cf CW 17: 75\u201391<\/p>\n

\u201cDuncan Campbell Scott\u201d \u25cf CW 12: 59\u201360<\/p>\n

 <\/p>\n

\u201cEditorial in Undress\u201d \u25cf CW 7: 21\u20132, 29\u201333<\/p>\n

\u201cEditorial Statement\u201d \u25cf CW 12: 77\u20138<\/p>\n

Educated Imagination, The<\/em> \u25cf CW 21: 436\u201394<\/p>\n

\u201cEducation \u2013 Protection against Futility\u201d \u25cf CW 7: 210\u201314<\/p>\n

\u201cEducation and the Humanities\u201d \u25cf CW 7: 50\u20134<\/p>\n

\u201cEducation and the Rejection of Reality\u201d \u25cf CW 7: 422\u201331<\/p>\n

\u201cEdwin John Pratt\u201d \u25cf CW 12: 380\u20132<\/p>\n

\u201cE.J. Pratt\u201d \u25cf CW 12: 598\u2013610<\/p>\n

\u201cElementary Teaching and Elemental Scholarship\u201d \u25cf CW 7: 192\u2013206<\/p>\n

\u201cEmily Dickinson\u201d \u25cf CW 17: 245\u201370<\/p>\n

\u201cEnd of History, The\u201d \u25cf CW 18: 299<\/p>\n

\u201cEnglish Canadian Literature\u201d \u25cf CW 12: 243\u201350<\/p>\n

\u201cEpilogo,\u201d Ritratto di Northrop Frye<\/em> \u25cf CW 18: 442\u20133<\/p>\n

\u201cEnquiry into the Art Forms of Prose Fiction, An\u201d \u25cf CW 3: 383\u2013400<\/p>\n

\u201cEternal Tramp, The\u201d \u25cf CW 11: 116\u201322<\/p>\n

\u201cEthics of Change: The Role of the University, The\u201d \u25cf CW 7: 345\u201359<\/p>\n

\u201cExpanding Eyes\u201d \u25cf CW 27: 391\u2013410<\/p>\n

\u201cExpanding World of Metaphor, The\u201d \u25cf CW 18: 342\u201356<\/p>\n

\u201cExtracts from The Harper Handbook to Literature<\/em>\u201d \u25cf CW 18: 357\u201389<\/p>\n

Extracts from The Practical Imagination: Stories, Poems, Plays <\/em>\u25cf CW 18: 182\u2013212<\/p>\n

\u201cExperiment\u201d \u25cf CW 29: 7\u20138<\/p>\n

 <\/p>\n

\u201cFable . . . in the Nineteenth\u2011Century Idiom\u201d \u25cf CW 25: 62\u20133<\/p>\n

\u201cFace to Face\u201d \u25cf CW 25: 64\u20136<\/p>\n

\u201cFarewell to Goldwin French\u201d \u25cf CW 7: 593\u20134<\/p>\n

Fearful Symmetry: A Study of William Blake<\/em> \u25cf CW 14<\/p>\n

\u201cFellowship Lecture: The Imaginative and the Imaginary\u201d \u25cf CW 21: 420\u201335<\/p>\n

\u201cFertility Cults, The\u201d \u25cf CW 3:127\u201338<\/p>\n

Fools of Time: Studies in Shakespearean Tragedy<\/em> \u25cf CW 28: 250\u2013327<\/p>\n

\u201cFor Tory and Leftist\u201d \u25cf CW 29: 78\u20139<\/p>\n

\u201cFor Whom the Dunce Cap Fits\u201d \u25cf CW 7: 55\u20136<\/p>\n

\u201cForeword,\u201d The Child as Critic<\/em> by Glenna Davis Sloan \u25cf CW 7: 476\u20138<\/p>\n

\u201cForeword,\u201d Dialogue sur la traduction \u00e0 propos du \u201cTombeau des rois\u201d<\/em> \u25cf CW 12: 496\u20137<\/p>\n

\u201cForeword,\u201d English Studies at Toronto: A His\u00adtory<\/em> \u25cf CW 7: 595\u20138<\/p>\n

\u201cForeword,\u201d The Living Name: A Tribute to Stefan Stykolt <\/em>\u25cf CW 7: 207\u20139<\/p>\n

\u201cForeword,\u201d\u00a0 1984 <\/em>by George Orwell \u25cf CW 29: 278\u201382<\/p>\n

\u201cForeword,\u201d The Prospect of Change: Proposals for Canada\u2019s Future<\/em> \u25cf CW 12: 373\u20136<\/p>\n

\u201cForeword,\u201d Viola Whitney Pratt<\/em> \u25cf CW 12: 658<\/p>\n

\u201cForeword,\u201d Romanticism Reconsidered<\/em>\u201d \u25cf CW 17: 72\u20134<\/p>\n

\u201cForeword,\u201d Unfolded Tales: Essays on Renais\u00adsance Romance<\/em> \u25cf CW 28: 642\u20135<\/p>\n

\u201cForming Fours\u201d \u25cf CW 21: 203\u201313<\/p>\n

\u201cFour Forms of Prose Fiction, The\u201d \u25cf CW 21: 77\u201389<\/p>\n

\u201cFramework and Assumption\u201d \u25cf CW 18: 423\u201335<\/p>\n

\u201cFrederick Delius\u201d \u25cf CW 11: 83\u20136<\/p>\n

\u201cFreshman and His Religion, The\u201d \u25cf CW 4: 239\u201343<\/p>\n

\u201cFrom the Chancellor\u201d \u25cf CW 7: 523\u20134<\/p>\n

\u201cFrom the Principal of Victoria . . . Greetings\u201d \u25cf CW 7: 86\u20137<\/p>\n

\u201cFunction of Criticism at the Present Time, The\u201d \u25cf CW 21: 60\u201376<\/p>\n

\u201cFuneral Service for Jean Gunn\u201d \u25cf CW 4: 339\u201342<\/p>\n

\u201cFuneral Service for Virginia Knight\u201d \u25cf CW 4: 290\u20132<\/p>\n

 <\/p>\n

\u201cGains and Losses of the Reformation\u201d \u25cf CW 3: 265\u201371<\/p>\n

\u201cGandhi\u201d \u25cf CW 11: 209\u201311<\/p>\n

\u201cGeneral Editor\u2019s Introduction,\u201d Shakespeare Series<\/em> \u25cf CW 28: 328\u201332<\/p>\n

\u201cGeorge Gordon, Lord Byron\u201d \u25cf CW 17: 50\u201371<\/p>\n

\u201cGeorge Orwell\u201d \u25cf CW 10: 140\u20133; \u25cf CW 29: 86\u20137<\/p>\n

\u201cGhost, The\u201d \u25cf CW 25: 59\u201362<\/p>\n

\u201cGordon Webber and Canadian Abstract Art\u201d \u25cf CW 12: 12\u201313<\/p>\n

\u201cGovernor\u2011General\u2019s Awards\u201d \u25cf CW 12: 321\u201326<\/p>\n

\u201cGraves, Gods and Scholars\u201d \u25cf CW 29: 114\u201319<\/p>\n

\u201cGreat Charlie, The\u201d \u25cf CW 11: 98\u2013102<\/p>\n

Great Code: The Bible and Literature, The<\/em> \u25cf CW 19<\/p>\n

\u201cGreetings from the Principal\u201d \u25cf CW 7: 86\u20137<\/p>\n

 <\/p>\n

\u201cHaliburton: Mask and Ego\u201d \u25cf CW 12: 316\u201320<\/p>\n

\u201cHarold Innis: The Strategy of Culture\u201d \u25cf CW 12: 582\u201395<\/p>\n

\u201cHart House Quartet\u201d \u25cf CW 25: 187\u20138<\/p>\n

\u201cHart House Rededicated\u201d \u25cf CW 7: 395\u20139<\/p>\n

\u201cHaunted by Lack of Ghosts: Some Patterns in the Imagery of Canadian Poetry\u201d \u25cf CW 12: 472\u201392<\/p>\n

\u201cHave We a National Education?\u201d \u25cf CW 7: 56\u2013 8<\/p>\n

\u201cHenry James and the Comedy of the Occult\u201d \u25cf CW 29: 350\u201370<\/p>\n

\u201cHigher Education and the Personal Life\u201d \u25cf CW 7: 308\u201310<\/p>\n

\u201cHistory and Myth in the Bible\u201d \u25cf CW 4: 10\u201322<\/p>\n

\u201cHow It Was\u201d \u25cf CW 17: 218<\/p>\n

\u201cHow True a Twain\u201d \u25cf CW 28: 95\u2013113<\/p>\n

\u201cHumanities in a New World\u201d \u25cf CW 7: 69\u201385<\/p>\n

\u00a0<\/em><\/p>\n

\u201cIcons and Iconoclasm\u201d \u25cf CW 10: 270\u20132<\/p>\n

\u201cIdeal of Democracy, The\u201d \u25cf CW 11: 235\u20136<\/p>\n

\u201cIdeal University Community, An\u201d \u25cf CW 7: 379\u201381<\/p>\n

\u201cIdols of the Marketplace\u201d \u25cf CW 29: 44\u20135<\/p>\n

\u201cImportance of Calvin for Philosophy, The\u201d \u25cf CW 3: 401\u201316<\/p>\n

\u201cImportant Influence, An\u201d \u25cf CW 17: 241<\/p>\n

\u201cIncident from the Golden Bough\u201d \u25cf CW 25: 78\u201384<\/p>\n

\u201cIndispensable Book, An\u201d \u25cf CW 21: 230\u20134<\/p>\n

\u201cIn Memoriam: Miss Jessie Macpherson\u201d \u25cf CW 7: 382\u20133<\/p>\n

\u201cIn the Earth, or in the Air?\u201d \u25cf CW 17: 219\u201326<\/p>\n

\u201cInstallation Address as Chancellor\u201d \u25cf CW 7: 517\u201322<\/p>\n

\u201cInstallation of Alvin A. Lee\u201d \u25cf CW 7: 531\u20132<\/p>\n

\u201cInstruments of Mental Production, The\u201d \u25cf CW 7: 261\u2013280<\/p>\n

\u201cInterior Monologue of M. Teste\u201d \u25cf CW 21: 276\u201383<\/p>\n

\u201cInterpreter\u2019s Parlour\u201d \u25cf CW 25: 84\u20136<\/p>\n

\u201cIntroduction,\u201d Art and Reality: A Casebook of Concern<\/em> \u25cf CW 11: 167\u201372<\/p>\n

\u201cIntroduction,\u201d I Brought the Ages Home<\/em> \u25cf CW 12: 251\u20134<\/p>\n

\u201cIntroduction,\u201d Italy in Canada<\/em>\u00a0 \u25cf CW 12: 659\u201360<\/p>\n

\u201cIntroduction,\u201d Lawren Harris<\/em> \u25cf CW 12: 398\u2013402<\/p>\n

\u201cIntroduction: Lexis and Melos\u201d \u25cf CW 21: 235\u201348<\/p>\n

\u201cIntroduction,\u201d Rolls Royce and Other Poems<\/em> by Giorgio Bassani \u25cf CW 29: 328\u201331<\/p>\n

\u201cIntroduction,\u201d The Stepsure Letters<\/em>, by Thomas McCulloch \u25cf CW 12: 306\u201312<\/p>\n

\u201cIntroduction to A History of Communication<\/em>\u201d \u25cf CW 12: 582\u201395<\/p>\n

\u201cIntroduction to the Second Volume of Harold Innis\u2019s A History of Communications<\/em>\u201d \u25cf CW 10: 302\u20136<\/p>\n

\u201cIntroduction to Arthur Lismer<\/em>\u201d \u25cf CW 12: 541\u20133<\/p>\n

\u201cIntroduction\u201d to Blake: A Collection of Critical Essays<\/em> \u25cf CW 16: 330\u20136<\/p>\n

\u201cIntroduction to Canadian Literature\u201d \u25cf CW 25: 214\u201330<\/p>\n

\u201cIntroduction\u201d to Design for Learning<\/em> \u25cf CW 7: 126\u201342<\/p>\n

\u201cIntroduction\u201d to \u201cParadise Lost\u201d & Selected Poetry and Prose<\/em> \u25cf CW 16: 3\u201323<\/p>\n

\u201cIntroduction\u201d to Selected Poetry and Prose<\/em> of William Blake<\/em> \u25cf CW 16: 221\u201336<\/p>\n

\u201cIntroduction\u201d to Shakespeare\u2019s The Tempest<\/em> \u25cf CW 28: 44\u201352<\/p>\n

\u201cIntroduzione,\u201d Il freddo verde elemento<\/em> by Irving Layton \u25cf CW 12: 429\u201332<\/p>\n

\u201cIolanthe\u201d \u25cf CW 17: 236<\/p>\n

\u201cItaly in Canada\u201d \u25cf CW 12: 659\u201360<\/p>\n

 <\/p>\n

\u201cJames Delmer Martin\u201d \u25cf CW 7: 23\u20135<\/p>\n

\u201cJewish Background of the New Testament, The\u201d \u25cf CW 3: 139\u201354.<\/p>\n

\u201cJohn D. Robins\u201d \u25cf CW 12: 236\u20137<\/p>\n

\u201cJohn George Diefenbaker\u201d \u25cf CW 12: 313\u201315<\/p>\n

\u201cJohn Keats\u201d \u25cf CW 17: 206\u201314<\/p>\n

\u201cJohn Robins\u201d \u25cf CW 25: 42\u20133<\/p>\n

\u201cJooss Ballet, The\u201d \u25cf CW 11: 79\u201382<\/p>\n

\u201cJosef Pieper, Leisure: The Basis of Culture<\/em>\u201d \u25cf CW 10: 325\u20139<\/p>\n

\u201cJourney as Metaphor, The\u201d \u25cf CW 18: 408\u201322<\/p>\n

 <\/p>\n

\u201cKathleen Hazel Coburn\u201d \u25cf CW 17: 215\u201317<\/p>\n

\u201cKeys to the Gates, The\u201d \u25cf CW 16: 237\u201359<\/p>\n

\u201cKnowledge of Good and Evil, The\u201d \u25cf CW 7: 281\u201396<\/p>\n

\u201cKoine of Myth: Myth as a Universally Intelligible Language, The\u201d \u25cf CW 18: 312\u201326<\/p>\n

\u201cK.R. Srinavasa Iyengar\u2019s Lytton Strachey<\/em>\u201d \u25cf CW 11: 96\u20137<\/p>\n

 <\/p>\n

\u201cLacan and the Full Word\u201d \u25cf CW 18: 392\u20135<\/p>\n

\u201cLanguage as the Home of Human Life\u201d \u25cf CW 7: 577\u201390<\/p>\n

\u201cLanguage of Poetry, The\u201d \u25cf CW 21: 214\u201323<\/p>\n

Laurence Hyde, Southern Cross<\/em>, and The Oxford Dictionary of Nursery Rhymes<\/em>\u201d \u25cf CW 10: 313\u201317<\/p>\n

\u201cLaw and Disorder\u201d \u25cf CW 11: 224\u20135<\/p>\n

\u201cLeap in the Dark, A\u201d \u25cf CW 4: 299\u2013305<\/p>\n

\u201cLeisure and Boredom\u201d \u25cf CW 10: 221\u20137<\/p>\n

\u201cLester Bowles Pearson, 1897\u20131972\u201d \u25cf CW 12: 426\u20138<\/p>\n

Letter to the Editor of Parabola <\/em>\u25cf CW 18: 152<\/p>\n

Letter to the Editor of PMLA<\/em> \u25cf CW 18: 390\u20131<\/p>\n

\u201cLetter to the English Institute\u201d \u25cf CW 27: 215\u201317<\/p>\n

\u201cLetters in Canada, Poetry\u201d \u25cf CW 12: 91\u2013229<\/p>\n

\u201cLevels of Cultural Identity\u201d \u25cf CW 12: 639\u201354<\/p>\n

\u201cLevels of Meaning in Literature\u201d \u25cf CW 21: 90\u2013103<\/p>\n

\u201cLiberal Education, A\u201d \u25cf CW 7: 40\u20139<\/p>\n

\u201cLife and Thought of Ramon Lull, The\u201d \u25cf CW 3: 217\u201324<\/p>\n

\u201cLiterary and Linguistic Scholarship in a Postliterate World\u201d \u25cf CW 18: 290\u20138<\/p>\n

\u201cLiterary and Mechanical Models\u201d \u25cf CW 18: 451\u201362<\/p>\n

\u201cThe Literary Meaning of \u2018Archetype\u2019\u201d \u25cf CW 10: 182\u20139<\/p>\n

\u201cLiterary Criticism\u201d \u25cf CW 27: 118\u201333<\/p>\n

\u201cLiterature and Language\u201d \u25cf CW 10: 190\u20135.<\/p>\n

\u201cLiterature and Myth\u201d \u25cf CW 27: 238\u201355<\/p>\n

\u201cLiterature and the Law\u201d \u25cf CW 27: 301\u20139<\/p>\n

\u201cLiterature and Society\u201d\u25cf CW 27: 266\u201379<\/p>\n

\u201cLiterature and the Visual Arts\u201d \u25cf CW 18: 396\u2013407<\/p>\n

\u201cLiterature as Context: Milton\u2019s Lycidas<\/em>\u201d \u25cf CW 16: 24\u201334.<\/p>\n

\u201cLiterature as Critique of Pure Reason\u201d \u25cf CW 18: 230\u201344<\/p>\n

\u201cLiterature as Possession\u201d \u25cf CW 21: 295\u2013306<\/p>\n

\u201cLiterature as Therapy\u201d \u25cf CW 18: 463\u201376<\/p>\n

\u201cLiterature, History and Language\u201d \u25cf CW 18: 172\u20139<\/p>\n

\u201cLong Sequacious Notes\u201d \u25cf CW 17: 43\u20139<\/p>\n

\u201cLord Dufferin\u201d \u25cf CW 12: 3\u20134<\/p>\n

 <\/p>\n

\u201cMan and the Sabbath\u201d \u25cf CW 4: 268\u20139<\/p>\n

\u201cMaps and Territories\u201d \u25cf CW 18: 436\u201341<\/p>\n

\u201cMargaret Eleanor Atwood\u201d \u25cf CW 12: 611\u201313<\/p>\n

\u201cMeaning of Recreation: Humanism in Society, The\u201d \u25cf CW 4: 23\u201334<\/p>\n

\u201cMeeting of Minds, A\u201d \u25cf CW 7: 306\u20137<\/p>\n

\u201cMeeting of Past and Future in William Morris, The\u201d \u25cf CW 17: 309\u201325<\/p>\n

\u201cMemoir\u201d \u25cf CW 25: 39\u201342<\/p>\n

\u201cMemorial Service for Mrs. Jean Haddow\u201d \u25cf CW 4: 328\u201331<\/p>\n

\u201cMemories of Victoria College\u201d \u25cf CW 25: 44\u20137<\/p>\n

\u201cMen as Trees Walking\u201d \u25cf CW 11: 92\u20135<\/p>\n

\u201cMerry Christmas\u201d \u25cf CW 4: 244\u20135, 248\u201352<\/p>\n

\u201cMinistry of Angels\u201d \u25cf CW 21: 175\u201383<\/p>\n

\u201cMixed Bag, A\u201d \u25cf CW 29: 21\u20134<\/p>\n

Modern Century, The<\/em> \u25cf CW 11: 1\u201370<\/p>\n

\u201cMoli\u00e8r\u00e9\u2019s Tartuffe<\/em>\u201d \u25cf CW <\/span>28: 42\u20133<\/p>\n

\u201cMonocle: \u201cPatience\u201d and \u201cThe Silver Box\u201d \u25cf CW 17: 230\u20132<\/p>\n

\u201cMonocle: Pinafore, The\u201d \u25cf CW 17: 233\u20135<\/p>\n

\u201cMonocle: Press Cuttings, The\u201d \u25cf CW 19: 3\u20134<\/p>\n

\u201cMonocle: Victoria College Debating Parliament, The\u201d \u25cf CW 7: 5\u20137<\/p>\n

\u201cMusic and the Savage Breast\u201d \u25cf CW 11: 88\u201391<\/p>\n

\u201cMusic in Poetry\u201d \u25cf CW 21: 9\u201322<\/p>\n

\u201cMusic in the Movies\u201d \u25cf CW 11: 108\u201311<\/p>\n

\u201cMyth and Poetry\u201d \u25cf CW 27: 134\u20138<\/p>\n

\u201cMyth as Information\u201d \u25cf CW 21: 189\u201396<\/p>\n

\u201cMyth as the Matrix of Literature\u201d \u25cf CW 18: 300\u201311<\/p>\n

\u201cMyth, Fiction, and Displacement\u201d \u25cf CW 21: 401\u201319<\/p>\n

Myth of Deliverance: Reflections on Shakespeare\u2019s Problem Comedies, The<\/em> \u25cf CW 28: 361\u2013424<\/p>\n

\u201cMyth of Light, The\u201d \u25cf CW 27: 282\u20134<\/p>\n

\u201cMythical Approach to Creation, The\u201d \u25cf CW 4: 117\u201332<\/p>\n

\u201cMythos and Logos\u201d \u25cf CW 27: 280\u20131<\/p>\n

 <\/p>\n

\u201cNarrative Tradition in English Canadian Poetry, The\u201d \u25cf CW 12: 55\u201363<\/p>\n

\u201cNational Consciousness in Canadian Culture\u201d \u25cf CW 12: 493\u2013507<\/p>\n

\u201cNatural and Revealed Communities\u201d \u25cf CW 28: 624\u201341<\/p>\n

Natural Perspective: The Development of Shakespearean Comedy and Romance<\/em>, A <\/em>\u25cf CW 28: 127\u2013225<\/p>\n

\u201cNature and Homer\u201d \u25cf CW 21: 254\u201365<\/p>\n

\u201cNature and Nothing\u201d \u25cf CW 28: 236\u201349<\/p>\n

\u201cNature and the Psyche\u201d \u25cf CW 29: 120\u20133<\/p>\n

\u201cNature Methodized\u201d \u25cf CW 17: 16\u201323<\/p>\n

\u201cNature of Satire, The\u201d \u25cf CW 21: 39\u201357<\/p>\n

\u201cNed Pratt: The Personal Legend\u201d \u25cf CW 12: 327\u201330<\/p>\n

\u201cNeo-Classical Agony\u201d [this review\u2011essay was omitted from the CW ; it was first published in book form in Northrop Frye on Culture and Literature<\/em>]<\/p>\n

\u201cNew Directions from Old\u201d \u25cf CW 21: 307\u201321<\/p>\n

\u201cNew Liberties for Old\u201d \u25cf CW 12: 235<\/p>\n

\u201cNew Principal for Victoria, A\u201d \u25cf CW 7: 297\u20138<\/p>\n

\u201cNew Programmes\u201d \u25cf CW 7: 225\u2013\u20136<\/p>\n

\u201cNightmare Life in Death, The\u201d \u25cf CW 29: 159\u201367<\/p>\n

\u201cNorms of Satire: A Symposium, The\u201d \u25cf CW 27: 170<\/p>\n

Northrop Frye on Shakespeare<\/em> \u25cf CW 28: 455\u2013622<\/p>\n

Notebook 30r: Autobiographical Notes V: Injunctions\u201d \u25cf CW 25: 37\u20139<\/p>\n

\u201cNotebook 42b.\u00a0 Autobiographical Notes I\u201d \u25cf CW 25: 3\u201327<\/p>\n

\u201cNotes for a Commentary on Milton<\/em>\u201d \u25cf CW 16: 239\u201365<\/p>\n

\u201cNothing to Fear but Fear\u201d \u25cf CW 11: 232\u20134<\/p>\n

\u201cNovels on Several Occasions\u201d \u25cf CW 29: 88\u201398<\/p>\n

 <\/p>\n

\u201cOh, the Dear Good Days\u201d \u25cf CW 7: 494\u20135<\/p>\n

\u201cOld and New Comedy\u201d \u25cf CW 27: 285\u201392<\/p>\n

\u201cOn Book Reviewing\u201d \u25cf CW 11: 123\u20135<\/p>\n

\u201cOn Christmas\u201d \u25cf CW 4: 311\u201316<\/p>\n

\u201cOn Editors and Critics\u201d \u25cf CW 27: 256\u20137<\/p>\n

\u201cOn Fiction,\u201d \u201cOn Poetry,\u201d and \u201cOn Drama\u201d \u25cf CW 18: 182\u2013212<\/p>\n

\u201cOn Horace\u201d \u25cf CW 7: 400<\/p>\n

\u201cOn Lent\u201d \u25cf CW 4: 367\u201370<\/p>\n

\u201cOn Living inside Real Life\u201d \u25cf CW 7: 591\u20132<\/p>\n

On Teaching Literature<\/em> \u25cf CW 7: 432\u201361<\/p>\n

\u201cOn the Frosh: An Editorial\u201d \u25cf CW 7: 17\u201320<\/p>\n

\u201cOn the Bible\u201d \u25cf CW 4: 158\u201365<\/p>\n

\u201cOn Translation\u201d \u25cf CW 18: 180\u20131<\/p>\n

\u201cOn Value Judgments\u201d \u25cf CW 27: 258\u201365<\/p>\n

\u201cOpening Ceremonies of the E.J. Pratt Memorial Room\u201d \u25cf CW 12: 334\u20138<\/p>\n

\u201cOpening of Lawren Harris and Arthur Lismer Exhibitions\u201d \u25cf CW 12: 632\u20133<\/p>\n

\u201cOswald Spengler\u201d \u25cf CW 11: 265\u201373<\/p>\n

\u201cOuroboros, The\u201d \u25cf CW 18: 287\u20139<\/p>\n

 <\/p>\n

\u201cPass Course: A Polemic, The\u201d \u25cf CW 7: 34\u20139<\/p>\n

\u201cPelham Edgar\u201d \u25cf CW 12: 230\u20134<\/p>\n

\u201cPhalanx of Particulars\u201d \u25cf CW 29: 99\u2013104<\/p>\n

\u201cPistis and Mythos\u201d \u25cf CW 4: 3\u20139<\/p>\n

\u201cPoet and a Legend, A\u201d \u25cf CW 12: 3779<\/p>\n

\u201cPoetry\u201d \u25cf CW 12: 280\u201392<\/p>\n

\u201cPoetry (I)\u201d \u25cf CW 29: 9\u201310<\/p>\n

\u201cPoetry (II)\u201d \u25cf CW 29: 11\u201313<\/p>\n

\u201cPoetry (III)\u201d \u25cf CW 29: 18\u201320<\/p>\n

\u201cPoetry and Design in William Blake\u201d \u25cf CW 16: 212\u201320<\/p>\n

\u201cPoetry of the Tout Ensemble\u201d \u25cf CW 29: 124\u20138<\/p>\n

\u201cPreface and Introduction to Pratt\u2019s Poetry\u201d \u25cf CW 12: 293\u2013305<\/p>\n

\u201cPreface to ADE and ADFL Bulletins<\/em>\u201d \u25cf CW 7: 479\u201380<\/p>\n

\u201cPreface to an Uncollected Anthology\u201d \u25cf CW 12: 255\u201371<\/p>\n

\u201cPreface to On Education<\/em>\u201d \u25cf CW 7: 599\u2013606<\/p>\n

\u201cPreface\u201d to Sound and Poetry<\/em> \u25cf CW 21: 235\u20136<\/p>\n

\u201cPreface to The Bush Garden<\/em>\u201d \u25cf CW 12: 412\u201320<\/p>\n

\u201cPreface to From Cobourg to Toronto: Victoria University in Retrospect<\/em> \u25cf CW 7: 607\u201310 \u00a0<\/em><\/p>\n

\u201cPreface,\u201d No Uncertain Sounds<\/em> \u25cf CW 7: 88\u20139<\/p>\n

\u201cPreface,\u201d The Psychoanalysis of Fire<\/em>, by Gaston Bachelard \u25cf CW 27: 139\u201342<\/p>\n

\u201cPrelude\u201d \u25cf CW 25: 76\u20138<\/p>\n

\u201cPresent Condition of the World, The\u201d \u25cf CW 10: 207\u201320<\/p>\n

\u201cPreserving Human Values\u201d \u25cf CW 11: 274\u201381<\/p>\n

\u201cPresidential Address at the MLA\u201d \u25cf CW 7: 483\u201393<\/p>\n

\u201cPrincipal\u2019s Address, The\u201d \u25cf CW 7: 88\u2013102<\/p>\n

\u201cPrincipal\u2019s Message, The\u201d \u25cf CW 7: 185\u20136<\/p>\n

\u201cProblem of Spiritual Authority in the Nineteenth Century, The\u201d \u25cf CW 17: 271\u201386<\/p>\n

\u201cPro Patria Mori\u201d \u25cf CW 11: 175\u20137<\/p>\n

\u201cPromising Novelist\u201d \u25cf CW 12: 53\u20134<\/p>\n

\u201cProposal of Toast\u201d [\u201cToast to the Memory of Shakespeare\u201d] \u25cf CW 28: 81\u20132<\/p>\n

Pursuit of Form, The\u201d \u25cf CW 12: 85\u20137<\/p>\n

\u201cPush-button Gadgets May Help\u2014But the Teacher Seems Here to Stay\u201d \u25cf CW 7: 120\u20132<\/p>\n

 <\/p>\n

\u201cQuality of Life in the Seventies, The\u201d \u25cf CW 11: 285\u201396<\/p>\n

\u201cQuest and Cycle in Finnegans Wake<\/em>\u201d \u25cf CW 29: 105\u201313<\/p>\n

\u201cQuestion of Maturity: An Editorial, The\u201d \u25cf CW 7: 26\u20138<\/p>\n

\u201cQuestion of \u2018Success\u2019, The\u201d \u25cf CW 299\u2013305<\/p>\n

 <\/p>\n

\u201cRealistic Oriole: A Study of Wallace Stevens, The\u201d \u25cf CW 29: 129\u201346<\/p>\n

\u201cRear View Crystal Ball\u201d \u25cf CW 12: 408\u201311<\/p>\n

\u201cRecognition in The Winter\u2019s Tale<\/em>\u201d \u25cf CW 28: 114\u201326<\/p>\n

\u201cReconsideration of Chaucer, A\u201d \u25cf CW 3: 431\u201367<\/p>\n

\u201cReconsidering Levels of Meaning\u201d \u25cf CW 25: 303\u201326<\/p>\n

\u201cReflections at a Movie\u201d \u25cf CW 11: 103\u20137<\/p>\n

\u201cReflections in a Mirror\u201d \u25cf CW 27: 218\u201327<\/p>\n

\u201cRegina vs. the World\u201d \u25cf CW 11: 262\u20134<\/p>\n

\u201cReinhold Niebuhr, The Irony of American History<\/em>, and Herbert Butterfield, History and Human Relations<\/em>\u201d \u25cf CW 10: 321\u20134<\/p>\n

\u201cRelation of Religion to the Art Forms of Music and Drama, The\u201d \u25cf CW 3: 313\u201343<\/p>\n

\u201cRelation of Religion to the Arts, The\u201d \u25cf CW 3: 305\u201311<\/p>\n

\u201cRelative Importance of the Causes of the Reformation\u201d \u25cf CW 3: 257\u201363<\/p>\n

\u201cReligion and Modern Poetry\u201d \u25cf CW 29: 147\u201358<\/p>\n

\u201cReminiscences\u201d \u25cf CW 7: 494\u20135<\/p>\n

\u201cRenaissance of Books, The\u201d \u25cf CW 11: 140\u201355<\/p>\n

\u201cRencontre<\/em>: The General Editor\u2019s Introduction\u201d \u25cf CW 10: 3\u2013130<\/p>\n

\u201cRepetitions of Jacob\u2019s Dream\u201d \u25cf CW 4:91\u2013103<\/p>\n

Reply to a Questionnaire on Horace \u25cf CW 7: 400<\/p>\n

\u201cReport on the \u2018Adventure\u2019 Series\u201d \u25cf CW 7: 227\u201341<\/p>\n

\u201cResearch and Graduate Education in the Humanities\u201d \u25cf CW 7: 335\u201344<\/p>\n

\u201cResponse to Papers on \u2018Northrop Frye and Eighteenth\u2011Century Literature\u2019\u201d \u25cf CW 18: 477\u201383<\/p>\n

\u201cResponsibilities of the Critic, The\u201d \u25cf CW 18: 153\u201369<\/p>\n

\u201cResurgent, The\u201d \u25cf CW 25: 70\u20136<\/p>\n

Return of Eden: Five Essays on Milton\u2019s Epics<\/em>, The<\/em> \u25cf CW 16: 35\u2013131<\/p>\n

\u201cRevelation to Eve, The\u201d \u25cf CW 16: 132\u201355<\/p>\n

\u201cRevenge or Justice?\u201d \u25cf CW 11: 195\u20136<\/p>\n

Review of A Little Anthology of Canadian Poets <\/em>\u25cf CW 12: 39<\/p>\n

Review of Abner Dean\u2019s It\u2019s a Long Way to Heaven<\/em> \u25cf CW 11: 113<\/p>\n

Review of Animal Farm<\/em>, by George Orwell \u25cf CW 29: 47\u20139<\/p>\n

Review of Arabian Oil<\/em>, by Raymond F. Mikesell and Hollis B. Chenery \u25cf CW 29: 83<\/p>\n

Review of Basic<\/em>, by G.M. Young \u25cf CW 11: 194<\/p>\n

Review of Blake, Prophet against Empire<\/em>, by David V. Erdman \u25cf CW 16: 237\u20138<\/p>\n

Review of Canadian Accent <\/em>\u25cf CW 12: 66<\/p>\n

Review of Contemporary Verse: A Canadian Quarterly <\/em>\u25cf CW 12: 17\u201318<\/p>\n

Review of Coral and Brass<\/em>, by Holland M. Smith \u25cf CW 29: 83<\/p>\n

Review of Critics and Criticism<\/em>, by R.S. Crane et al. \u25cf CW 21: 184\u20138<\/p>\n

Review of David and Other Poems<\/em>, by Earle Birney \u25cf CW 12: 23\u20135<\/p>\n

Review of Direction<\/em> \u25cf CW 12: 40<\/p>\n

Review of Ebb Tide<\/em>, by Doris Ferne; The Artisan<\/em>, by Sara Carsley; and The Singing Gypsy<\/em>, by Mollie Morant \u25cf CW 12: 19\u201320<\/p>\n

Review of English Blake<\/em> by Bernard Blackstone \u25cf CW 16: 209\u201311<\/p>\n

Review of First Statement: A Magazine for Young Canadian Writers<\/em>\u00a0 \u25cf CW 12: 21\u20132<\/p>\n

Review of Green World<\/em>, by Miriam Waddington \u25cf CW 12: 51\u20132<\/p>\n

Review of I, Jones, Soldier<\/em>, by Joseph Schull \u00a0\u25cf CW 29: 34\u20135<\/p>\n

Review if Ibsen, the Norwegian<\/em>, by M.C. Bradbrook \u25cf CW 17: 239<\/p>\n

Review of Iolanthe<\/em>, by Gilbert and Sullivan \u00a0\u25cf CW 17: 237\u20138<\/p>\n

Review of It\u2019s a Long Way to Heaven<\/em>, by Abner Dean \u25cf CW 11: 113<\/p>\n

Review of John Ruskin<\/em>, by Joan Evans \u25cf CW 17: 242\u20134<\/p>\n

Review of Lava<\/em>, by Irene H. Moody \u25cf CW 29: 16\u201317<\/p>\n

Review of Lytton Strachey: A Critical Study<\/em>, by K.R. Srinivasa \u25cf CW 11: 96\u20137<\/p>\n

Review of F.S.C. Northrop\u2019s The Meeting of East and West<\/em> \u25cf CW 11: 197\u2013200<\/p>\n

Review of Modern Music: The Story of Music in Our Time<\/em>, by Max Graf \u25cf CW 11: 112<\/p>\n

Review of New Directions Annual<\/em> \u25cf CW 29: 36\u20138<\/p>\n

Review of New Directions in Prose and Poetry<\/em> \u25cf CW 29: 21\u20134<\/p>\n

Review of New Directions in Prose and Poetry<\/em> (II) \u25cf CW 29: 36\u20138<\/p>\n

Review of New Poets from Old<\/em>, by Henry W. Wells \u25cf CW 29: 14\u201315<\/p>\n

Review of New Writing and Daylight <\/em>\u25cf CW 29: 25\u20136<\/p>\n

Review of New Writing and Daylight<\/em> (II) \u25cf CW 29: 32\u20133<\/p>\n

Review of New Writing and Daylight<\/em> (III) <\/em>\u25cf CW 29: 50\u20131<\/p>\n

Review of On the Marble Cliffs<\/em>, by Ernst J\u00fcnger \u25cf CW 11: 211\u201314<\/p>\n

Review of Other Canadians <\/em>\u00a0\u25cf CW 12: 68<\/p>\n

Review of Our Lady Peace and Other War Poems<\/em>, by Mark van Doren, and Poems<\/em>, by John Berryman \u25cf CW 29: 18\u201320<\/p>\n

Review of Roderick Hudson<\/em>, by Henry James \u25cf CW 29: 53<\/p>\n

Review of Russian Child and Russian Wife<\/em>, by Tanya Matthews \u25cf CW 29: 82<\/p>\n

Review of Selected Tales<\/em>, by A.E. Coppard, and Bottle\u2019s Path and Other Stories<\/em>, by T.F. Powys \u25cf CW 29: 46<\/p>\n

Review of The Book of Canadian Poetry <\/em>\u25cf CW 12: 81\u20132<\/p>\n

Review of The Cosmic Shape<\/em>, by Ross Nichols and James Kirkup \u25cf CW 21: 58<\/p>\n

Review of The Flowing Summer<\/em>, by Charles Bruce \u25cf CW 12: 67<\/p>\n

Review of The Innocent Eye<\/em>, by Herbert Read \u25cf CW 11: 115<\/p>\n

Review of The Kafka Problem<\/em>, ed. Angel Flores \u25cf CW 29: 52<\/p>\n

Review of The Moment and Other Essays<\/em>, by Virginia Woolf \u25cf CW 29: 80\u20131<\/p>\n

Review of The Oxford Book of Nursery Rhymes<\/em> \u25cf CW 21:146\u20139<\/p>\n

Review of The Phoenix and the Tortoise<\/em>, by Kenneth Rexroth \u25cf CW 29: 41\u20133<\/p>\n

Review of The Portable Blake <\/em>\u25cf CW 16: 189<\/p>\n

Review of The Scot in History<\/em>, by Wallace Notestein \u25cf CW 11: 201<\/p>\n

Review of The Shadow of Cain<\/em>, by Edith Sitwell \u25cf CW 29: 77<\/p>\n

Review of The Story of English Literature<\/em>, by R.F. Patterson \u25cf CW 21: 59<\/p>\n

Review of The Theology of William Blake<\/em>, by J.G. Davies \u25cf CW 16: 207\u20138<\/p>\n

Review of The Ulysses Theme<\/em>, by W.B. Stanford, and Tragic Themes in Western Literature<\/em>, ed. Cleanth Brooks \u25cf CW 21: 249\u201353<\/p>\n

Review of The Varsity Story<\/em>, by Morley Callaghan \u25cf CW 12: 83<\/p>\n

Review of The World Is Wide Enough<\/em>, by Percy Coates \u25cf CW 29: 83<\/p>\n

Review of Unit of Five<\/em> \u25cf CW 12: 44\u20136<\/p>\n

Review of V-Letter and Other Poems<\/em>, by Karl Shapiro \u25cf CW 29: 39\u201340<\/p>\n

Review of Voices: A Critical Quarterly<\/em>, ed. Ralph Gustafson, and Genesis: Book One<\/em> by Delmore Schwartz \u25cf CW 29: 26\u201331<\/p>\n

Review of What Maisie Knew<\/em>, by Henry James; In a Glass Darkly<\/em>, by Sheridan Le Fanu; and On Art and Socialism<\/em>, by William Morris \u25cf CW 17: 240<\/p>\n

\u201cReviews of Television Programs for the Canadian Radio\u2011Television Commission\u201d \u25cf CW 10: 273\u2013301<\/p>\n

\u201cRevolution Betrayed: Freedom and Necessity in Education, A\u201d \u25cf CW 7: 401\u20135<\/p>\n

\u201cRhythms of Time, The\u201d \u25cf CW 27: 358\u201368<\/p>\n

\u201cRising of the Moon: A Study of A Vision<\/em>, The\u201d \u25cf CW 29: 252\u201377<\/p>\n

\u201cRoad of Excess, The\u201d \u25cf CW 16: 316\u201329<\/p>\n

\u201cRobert Browning: An Abstract Study\u201d \u25cf CW 3: 85\u2013108<\/p>\n

\u201cRobert Cowton to Thonas Rondel, Lector at Balliol College, Oxford\u201d \u25cf CW 3: 235\u2013256<\/p>\n

\u201cRomance as Masque\u201d \u25cf CW 18: 125\u201351<\/p>\n

\u201cRomanticism\u201d \u25cf CW 3: 11\u201383<\/p>\n

\u201cRoy Daniells\u201d \u25cf CW 12: 544\u20136<\/p>\n

\u201cRoyal Bank Award Address\u201d \u25cf CW 7: 507\u201316<\/p>\n

\u201cRussian Art\u201d \u25cf CW 11: 114<\/p>\n

 <\/p>\n

\u201cSearch for Acceptable Words, The\u201d \u25cf CW 27: 310\u201330<\/p>\n

Secular Scripture: A Study of the Structure of Romance<\/em>, The<\/em> \u25cf CW 18: 3\u2013124<\/p>\n

\u201cSenior Dinner Address\u201d \u25cf CW 7: 103\u20135<\/p>\n

\u201cSermon in the Merton College Chapel\u201d \u25cf CW 4: 293\u20138<\/p>\n

\u201cShakespeare and the Modern World\u201d \u25cf CW 28: 226\u201335<\/p>\n

\u201cShakespeare\u2019s Comedy of Humors\u201d \u25cf CW 10: 144\u201359<\/p>\n

\u201cShakespeare\u2019s Experimental Comedy\u201d \u25cf CW 28: 72\u201382<\/p>\n

\u201cShakespeare\u2019s The Tempest<\/em>\u201d \u25cf CW 28: 333\u201345<\/p>\n

\u201cSign and Significance\u201d \u25cf CW 27: 293\u2013300<\/p>\n

Silence in the Sea<\/em> \u25cf CW 12: 381\u201397<\/p>\n

\u201cSilence upon the Earth\u201d \u25cf CW 12: 331\u20133<\/p>\n

\u201cSir James Frazer\u201d \u25cf CW 21: 267\u201375<\/p>\n

\u201cSocial Context of Literary Criticism\u201d \u25cf CW 10: 347\u201365<\/p>\n

\u201cSocial Importance of Literature, The\u201d \u25cf CW 7: 326\u201334<\/p>\n

\u201cSocial Uses of Literature, The\u201d \u25cf CW 10: 253\u201365<\/p>\n

\u201cSo Many Lost Weekends\u201d \u25cf CW 4: 246\u20137<\/p>\n

\u201cSome Reflections on Life and Habit\u201d \u25cf CW 17: 341\u201353<\/p>\n

Something Rich and Strange: Shakespeare\u2019s Approach to Romance<\/em> \u25cf CW 28: 425\u201339<\/p>\n

\u201cSpeculation and Concern\u201d \u25cf CW 7: 242\u201358<\/p>\n

\u201cSpeech at Moncton\u2019s Centennial Celebration: Diversity in Unity\u201d \u25cf CW 25: 47\u201358<\/p>\n

\u201cSpeech at the New Canadian Embassy, Washington\u201d \u25cf CW 12: 639\u201354<\/p>\n

Speech on Acceptance of Governor General\u2019s Award for Northrop Frye on Shakespeare<\/em> \u25cf CW 28: 623\u20134<\/p>\n

\u201cSpengler Revisited\u201d \u25cf CW 11: 297\u2013314<\/p>\n

Stage Is All the World<\/em>, The<\/em> \u25cf CW 28: 440\u201354<\/p>\n

\u201cStanley Llewellyn Osborne\u201d \u25cf CW 4: 296\u20138<\/p>\n

\u201cSt. Paul and Orphism\u201d \u25cf CW 3: 165\u201390<\/p>\n

\u201cStructure and Spirit of Comedy, The\u201d \u25cf CW 27: 162\u20139<\/p>\n

\u201cStructure of Imagery in The Faerie Queene<\/em>, The\u201d \u25cf CW 28: 53\u201371<\/p>\n

\u201cStudy of English in Canada, The\u201d \u25cf CW 7: 59\u201365<\/p>\n

Study of English Romanticism, A<\/em> \u25cf CW 17: 92\u2013205<\/p>\n

\u201cStudy of the Impact of Cultural Movements upon the Church in England during the Nineteenth Century, A\u201d \u25cf CW 3: 273\u2013304<\/p>\n

\u201cSubstance and Evidence\u201d \u25cf CW 4: 321\u20137<\/p>\n

\u201cSummary of the Options Conference, A\u201d \u25cf CW 12: 531\u201340<\/p>\n

\u201cSummation,\u201d Symposium on Television Violence \u25cf CW 11: 156\u201366<\/p>\n

\u201cSurvival of Eros in Poetry, The\u201d \u25cf CW 18: 252\u201386<\/p>\n

\u201cSymbol as a Medium of Exchange, The\u201d \u25cf CW 18: 327\u201341<\/p>\n

\u201cSymbols\u201d \u25cf CW 4: 287\u20139<\/p>\n

 <\/p>\n

\u201cTeacher\u2019s Source of Authority, The\u201d \u25cf CW 7: 496\u2013506<\/p>\n

\u201cTenets of Modern Culture\u201d and \u201cLiterature\u201d \u25cf CW 11: 237\u201343<\/p>\n

\u201cThat Trinity Debate\u201d \u25cf CW 7: 8\u20139<\/p>\n

\u201cTheatre, The\u201d \u25cf CW 28: 42\u20133<\/p>\n

\u201cThere Is No Peace, And\u201d \u25cf CW 11: 244\u20135<\/p>\n

\u201cThree\u2011Cornered Revival in Headington\u201d \u25cf CW 11: 87<\/p>\n

\u201cThree Meanings of Symbolism\u201d \u25cf CW 21: 136\u201345<\/p>\n

\u201cTime of the Flood, The\u201d \u25cf CW 7: 259\u201360<\/p>\n

\u201cTimes of the Signs, The\u201d \u25cf CW 27: 331\u201357<\/p>\n

\u201cTo Come to Light\u201d \u25cf CW 4: 360\u20136<\/p>\n

\u201cTo Define True Madness\u201d \u25cf CW 29: 84\u20135<\/p>\n

\u201cTop of the Tower: A Study of the Imagery of Yeats, The\u201d \u25cf CW 29: 283\u2013307<\/p>\n

\u201cTo the Class of \u201962 at Queen\u2019s\u201d \u25cf CW 7: 160\u20135<\/p>\n

\u201cTowards a Theory of Cultural History\u201d \u25cf CW 21: 150\u201368<\/p>\n

\u201cTowards Defining an Age of Sensibility\u201d \u25cf CW 17: 7\u201315<\/p>\n

\u201cToynbee and Spengler\u201d \u25cf CW 11: 202\u20138<\/p>\n

\u201cTradition and Change in the Theory of Criticism\u201d \u25cf CW 10: 243\u201352<\/p>\n

\u201cTragedies of Nature and Fortune, The\u201d \u25cf CW 28: 83\u201394<\/p>\n

\u201cTransferability of Literary Concepts, The\u201d \u25cf CW 21: 224\u20139<\/p>\n

\u201cTrends in Modern Culture\u201d \u25cf CW 11: 249\u201361<\/p>\n

\u201cTribute to Balachandra Rajan\u201d \u25cf CW 16: 179\u201381<\/p>\n

\u201cTribute to Don and Pauline McGibbon\u201d \u25cf CW 12: 661\u20134<\/p>\n

Tribute to John Crowe Ransom \u25cf CW 29: 251<\/p>\n

\u201cTribute to Robert Zend\u201d \u25cf CW 12: 629\u201331<\/p>\n

T.S. Eliot<\/em> \u25cf CW 29: 178\u2013250<\/p>\n

\u201cT.S. Eliot and Other Observations\u201d \u25cf CW 3: 417\u201329<\/p>\n

\u201cTurning New Leaves: Folk Songs of Canada<\/em>\u201d \u25cf CW 12: 238\u201342<\/p>\n

\u201cTwo Books on Christianity and History\u201d \u25cf CW 11: 226\u201331<\/p>\n

\u201cTwo Camps, The\u201d \u25cf CW 11: 222\u20133<\/p>\n

\u201cTwo Contexts, The\u201d \u25cf CW 11: 283\u20134<\/p>\n

\u201cTwo Italian Sketches\u201d \u25cf CW 11: 188\u201393<\/p>\n

\u201cTypology of Paradise Regained<\/em>, The\u201d \u25cf CW 16: 114\u201331<\/p>\n

 <\/p>\n

\u201cUndated Prayers\u201d \u25cf CW 4: 373\u201385<\/p>\n

\u201cUndemocratic Censorship\u201d \u25cf CW 12: 47\u20138<\/p>\n

\u201cUniversities and the Deluge of Cant\u201d \u25cf CW 7: 465\u20139<\/p>\n

\u201cUniversity and the Heroic Vision, The\u201d \u25cf CW 7: 311\u201316<\/p>\n

\u201cUnpublished Introduction to Beyond Communication<\/em>\u201d \u25cf CW 7: 611\u201315<\/p>\n

 <\/p>\n

\u201cVarieties of Eighteenth-Century Sensibility\u201d \u25cf CW 17: 24\u201338<\/p>\n

\u201cVarieties of Literary Utopias\u201d \u25cf CW 27: 191\u2013214<\/p>\n

\u201cVerse and Prose\u201d \u25cf CW 27: 178\u201390<\/p>\n

\u201cVictoria College Debating Parliament\u201d \u25cf CW 7: 5\u20137<\/p>\n

\u201cView of Canada: Never a Believer in a Happy Ending\u201d \u25cf CW 12: 466\u201371<\/p>\n

\u201cView from Here, The\u201d \u25cf CW 7: 553\u201367<\/p>\n

\u201cVision and Cosmos\u201d \u25cf CW 18: 213\u201329<\/p>\n

 <\/p>\n

\u201cWallace Stevens and the Variation Form\u201d \u25cf CW 29: 308\u201324<\/p>\n

\u201cThe War in Vietnam\u201d \u25cf CW 11: 282<\/p>\n

\u201cWar on the Cultural Front\u201d \u25cf CW 11: 184\u20137<\/p>\n

\u201cWater Colour Annual\u201d \u25cf CW 12: 41\u20133<\/p>\n

\u201cWe Are Trying to Teach a Vision of Society\u201d \u25cf CW 7: 187\u201391<\/p>\n

\u201cWedding of Patricia Russell and Andrew Binnie\u201d \u25cf CW 4: 318\u201320<\/p>\n

\u201cWelcoming Remarks to Conference on Editorial Problems\u201d \u25cf CW 27: 256\u20137<\/p>\n

\u201cWell\u2011Tempered Critic, The\u201d \u25cf CW 21: 322\u201336<\/p>\n

Well-Tempered Critic<\/em>, The<\/em> \u25cf CW 21: \u00a0337\u2013400<\/p>\n

\u201cWilliam Blake\u201d (I), (II), and (III) \u25cf CW 16: 266\u201389, 360\u20133, 378\u201386<\/p>\n

\u201cWilliam Blake. Adam and Eve and the Angel Raphael\u201d \u25cf CW 16: 364\u20135<\/p>\n

\u201cWilliam Butler Yeats\u201d \u25cf CW 10: 309\u201312<\/p>\n

\u201cWisdom and Knowledge\u201d \u25cf CW 4: 306\u201310<\/p>\n

\u201cWoman Heads University\u201d \u25cf CW 7: 616<\/p>\n

Words with Power: Being a Second Study of \u201cThe Bible and Literature\u201d \u25cf <\/em>CW 26<\/p>\n

\u201cWorld as Music and Idea in Wagner\u2019s Parsifal<\/em>, The\u201d \u25cf CW 17: 326\u201340<\/p>\n

\u201cWorld Enough without Time\u201d \u25cf CW 21: 284\u201394<\/p>\n

\u201cWright Report\u201d \u25cf CW 7: 462\u20134<\/p>\n

\u201cWriter as Prophet: Milton, Blake, Swift, Shaw, The\u201d \u25cf CW 10: 160\u201381<\/p>\n

\u201cWyndham Lewis: Anti-Spenglerian\u201d \u25cf CW 11: 178\u201387<\/p>\n

 <\/p>\n

\u201cYeats and the Language of Symbolism\u201d \u25cf CW 29: 54\u201373<\/p>\n

\u201cYoung Boswell, The\u201d \u25cf CW 17: 3\u20136<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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