In an upcoming post on “Frye and Music,” Bob Denham finds, not surprisingly, that Frye’s far and away favorite composers are Bach and Mozart. But there are other composers he admired and learned to play for various good reasons. Here is one of them.
Category Archives: Video
Interview: “Impressions of Northrop Frye”
Clayton Chrusch comes up with a real find: this interview of Frye by Ramsay Cook, orginally broadcast on CBC television on September 2, 1973.
Jeffery Donaldson: “Museum”
Jeffery Donaldson has graced us with this poem about an encounter with a ghostly familiar, if not a “familiar compound ghost.” Jeffery is currently working on an article about the significance of Frye to a poet, to be published in New Quarterly. A video of Jeffery reading the title poem from his latest collection, Palilalia, can be found at the end of this post.
Museum
But one writes only after one has willed to renounce the will,
and the wisest of poets have always insisted that in the long
run all poetry that is worth listening to has been written
by the gods.
—Northrop Frye
Subway, in the middle of my commute, I found myself in a dark corner. The line vanished into the underground in two directions, the clack and crow-screech of steel wheels echoed in recession of the just missed five-o-nine from the tunnel’s depths. Museum Station. A chilled solitude widened around me and water-drops pooled in mimicked snips between the rails below. The ceiling lamps’ subdued fluorescence seemed to cast no shadows and were like peering through green water. Exhibits from the ROM in glass cases with aboriginal wooden masks descended like messengers from the real world above, whose outsize faces gestured witness and alarm in the apocalyptic style of indigenous myth. Farther up, the February dusk was tawny, the air tasteless and dull as pewter plate. Fog had moved in on Old Vic’s scrubbed-stone but now vague turrets uncobbling upwards to the last vanished spire, as though parting illusion from the epigraph above the stairway arch, still insisting, after these twenty years, that the truth would set me free. All gone up in a mist now, as far as I could see. I pictured them above, the Burwash quad, Pratt, and residence, whose faux-gothic walls hold the city at Bay like the brim of an empty cup, and where the mind-set of college years, memories of what unwritten words, burn perpetually as in a crucible. I wonder now had I known, those years hiding my fidgets, of the tics Touretters spend their days trying to release, or heard of how the obsessive’s repetitions grind every last impulse to its death, would I have finished more, managed the regimental habitus and got things done? Continue reading
The Well-Tempered Clavier
Some of the well-tempered critic’s favorite music:
Video: “A Tribute to Northrop Frye”
This is pretty funny. This video claims to be part of a high school student seminar on chapter 3 of The Educated Imagination, “Giants in Time.” As far as I can tell, it’s really just three guys looking for a reason to perform a card trick:
httpv://www.youtube.com/watch?v=8vk5cxtTcTw
Now, to be fair, the boys themselves have this to say about the video:
This was a video made for a seminar analyzing Chapter 3: Giants In Time, of Northrop Frye’s “The Educated Imagination.”
We linked his concept of poetry with a “voodoo” magic illusion for the visual aspect of our seminar.
Enjoy!
– Andre, Jay, and Josh.
I’m just psyched that high school kids are still reading The Educated Imagination. Although I’d really have to hear the rest of their presentation on the “voodoo magic” qualities of “Giants in Time.”
Now with YouTube!
httpv://www.youtube.com/watch?v=jR0588DtHJA
We now have YouTube-embedding capacity! Of course, we don’t actually have any relevant video. But we do have the capacity to embed video, so we just had to come up with something. Given the Northrop Frye-Thomas Pynchon nexus established last week here and here, this video might qualify as marginally germane. Sure, it’s post-modern enough, but is it also Menippean satire?