Saturday Night at the Movies: “Citizen Kane”

httpv://www.youtube.com/watch?v=GuZ6fm5F7bE

It was the anniversary of Orson Welles’ death recently, so here’s Citizen Kane.

Whatever Frye might have thought of the movie itself, he hated the soundtrack.  From his 1942 diary:

Ideas for article on movie music. Orson Welles’ incessant woo-woo noises, full of  drum rolls & trombones slithering from solemn burp to gloomy blop. Most incidental music is just ‘flourish,’ ‘sennet,’ ‘exeunt with a dead march’ stuff, a bag of tricks and ‘sound effects,’ in short.

(For some reason, part one of the movie, above, is not embeddable, so click on the image and then hit the YouTube link.  But the rest of the movie, after the jump, is embedded and can be watched here.)

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TGIF: “1/2 Hour News Hour”

httpv://www.youtube.com/watch?v=YjIfaMwIFxU

The ill-fated “conservative” “comedy” show, The 1/2 Hour News Hour.  Even though the show had the inexhaustable resources of Fox News working for it (as well as a vast, angry and ill-informed audience), it was only good for fourteen episodes before being cancelled.

Is this really comedy or is it just hack work, an astonishingly unfunny rip-off  of SNL’s classic Weekend Update, not to mention The Daily Show and The Colbert Report?  Is it possible that it is unfunny because it was running an ideological agenda first and attempting comedy second?  And could it be that the witless surliness of it derives from the fact that its targets  — unlike SNL, The Daily Show, and The Colbert Report, which take on all comers — were exclusively on what it assumed to be the “wrong” side of the political divide?

We report.  You decide.

Videos of the Day: Plus ça change

httpv://www.youtube.com/watch?v=nYymnxoQnf8

William F. Buckley and Gore Vidal during the 1968 Democratic convention: “Now listen you queer, stop calling me a crypto-nazi, or I’ll sock you in the goddamn face.”

In a recent post, Andrew Sullivan produced this quote and made this observation:

“Some people say I’m extreme, but they said the John Birch Society was extreme, too,” – Kelly Khuri, founder, Clark County Tea Party Patriots. And William F Buckley rolls in his grave.

But does he really?  Buckley had a notorious reputation for nastiness (just a couple of examples here and here) that seems to be pretty consistent with what now passes for mainstream “conservatism,” as the infamous exchange above demonstrates.  What was shocking back then is just business as usual today.

To wit:

httpv://www.youtube.com/watch?v=XrNl6-j9x5w

Jean-Paul Sartre

httpv://www.youtube.com/watch?v=5lFLO16TRPQ&feature=related

A Sartre and de Beauvoir screener from the 1950s.

On this date in 1964 Jean-Paul Sartre was awarded the Nobel Prize for Literature, which he refused.

Frye in notebook 12 offers a qualified estimation of Sartre as the last of the “great thinkers” (elsewhere he calls him “an intellectual juvenile delinquent”):

I had the usual childish fantasies, when very young, of wanting to be a “great man” — fantasies that in our day only Churchill had realized.  But Churchill’s greatness was archaic: his funeral really buried that whole conception of greatness as a goal of ambition.  Then I had fantasies of wanting to be a great composer & a great novelist–both obsolete conceptions today.  The novel is breaking up into other forms & is no longer central as it was in the 19th c: the great composers ended with Bartok, and Boulez & Varese & Cage are not “great composers,” they’re something else.  When I settled into my real line I naturally wanted to be “great” there too: but maybe greatness is obsolete.  In the 19th century one wants to read Hegel & Marx & Kierkegaard & Nietzsche; are there really any 20th c. equivalents of that kind of “great thinker”?  Maybe Sartre.  But something about greatness ended around 1940.  We’re doing different things now.  Marshall McLuhan is a typical example: a reputation as a great thinker that doesn’t think at all.  (CW 9, 146)

Advancement versus Academic Freedom


The University of Toronto has many claims to fame.  It has a stellar academic reputation, one of the best libraries in the country, some of Canada’s finest faculty, and Maclean’s consistently ranks it as one of the best universities, if not the best, in the country.  That being said, the University of Toronto has adopted dubious practices when it comes to advancement and academic freedom.

What are the questions that a university must ask itself when it receives donations?  Among them are, What is the purpose of the donation?  What are the conditions attached to the donation?  How important is academic freedom to the success of the University’s researchers, professors, and students in relation to the donation?

The University of Toronto’s Vice-President of Advancement, David Palmer, claims that all donor agreements are subject to the following clause:

The parties affirm their mutual commitment to the University’s Statement of Institutional Purpose which includes a commitment to foster an academic community in which the learning and scholarship of every member may flourish, with vigilant protection for the rights of freedom of speech, academic freedom and freedom of research.

In two recent donations to the University of Toronto, this clause never appeared, nor did any that remotely resembles such a clause.  Moreover, when I Google-searched this clause, I realised that it appears nowhere except in a letter to the editor of the Toronto Star on September 19, 2010, written by the Vice-President of Advancement, and subsequently published in the Varsity, a student run newspaper at the University of Toronto.  The reason for the letter in the Star is that an excerpt from The Trouble With Billionaires by Linda McQuaig and Neil Brooks claims that the recent $35 million dollar agreement between Peter Munk and the University of Toronto “stipulates that the school will also house the Canadian International Council — a right-leaning think-tank that has been pushing to replace Canada’s earlier role as a leading UN peacekeeping nation with a more prominent role in U.S.-led war efforts.”  The University of Toronto, through its Vice-President of Advancement, has assured us that this is not the case and that no donor has influence over the academic freedom of researchers, students, or professors at the University of Toronto.

In his chapter “Academic Freedom or Commercial License?” (which appeared in The Corporate Campus, edited by James Turk), William Graham highlights a few agreements between the University of Toronto and its donors.  When, for exammple, Joseph Rotman donated $15 million to the University of Toronto, the agreement required “the unqualified support for and commitment to the principles and values underlying the vision by the members of the faculty of management as well as the central administration upon the continuing ongoing support demonstrated by members of the faculty” (23).  In other words, for the donation to continue, Rotman required that faculty adhere to “the vision.”  Indeed, as Graham notes, the acting provost at the time “stated with pride” that “given the magnitude and importance of the gift, the University is prepared to make a number of undertakings that in a number of ways involve new commitments or variances from previously approved allocations or from University policy” (24).

Rotman’s donation is not unique.  Graham writes: “Even more scandalous in many ways was the agreement between the University of Toronto and Mr. Peter Munk, together with his corporations, Horsham and Barrick Gold” (24). In this agreement, the university will establish a “business-academic relationship,” and that “In return, the University promised Munk’s project would ‘rank with the University’s highest priorities for the allocation of its other funding, including its own internal resources.’ No mention wass made of the need to protect academic freedom or any other basic University policy” (24).

Graham is right to note that “Since Munk, like Rotman, could withdraw funding at any time over the 10 years if dissatisfied with the progress of the Centre, he was in a position to exert enormous influence over the teaching and research activities of the Centre. What, for example, might happen to an untenured faculty member of the Centre who spoke out in ways perceived as contrary to the interests of Horsham or Barrick Gold Corporations?”

The question that Graham asks is, of course, an important one.  What happens when benefactors who donate money to a university disagrees with an untenured faculty member?  What happens when benefactors can pull their donations to the University when they are not satisfied with the direction or “vision” of the program?  In many regards, we already have answers to some of these questions. Virginia Ashby Sharpe in “Oversight, Disclosure, and Integrity in Science” writes:

We have also seen cases of institutional retaliation against researchers who have gone up against pharmaceutical manufacturers when their research indicated harmful effects.  One case involves the University of Toronto.  When Nancy Oliveri broke her confidentiality agreement and published unfavorable results regarding the drug deferiprone (used to treat the hereditary blood disease thalassemia), the university attempted to dismiss her.  The same institution, which received a $1.5-million gift from the Eli Lilly company, rescinded its job offer to David Healy when he was publicly critical of the Eli Lilly drug Prozac.

All of this raises a further question:  Would the University ever consider disbanding or disestablishing an entire program if the values and instruction of that program ran counter to the values or expectations of a benefactor?  These seem to be important questions that need to be asked these days, especially in light of an Academic Plan which calls for the closure of several language programs to form a “School of Languages and Literatures” (now in search of a benefactor) and the complete destruction of other programs, such as Comparative Literature, Diaspora and Transnational Studies, and, of course, the Centre for Ethics.

Frye in his “Commencement Address at Carlton University,” delivered on May 17th, 1957, observes:

As John Stuart Mill proved a century ago, the basis of all freedom is academic freedom of thought and discussion.  You have had that here, because you are responsible for carrying it into society.  I know the staff of Carlton fairly well, and I know that none of them would try to adjust you or integrate you with your society.  They have done all they could do to detach you from it, to wean you from the maternal bosom of Good Housekeeping and the Reader’s Digest, the pneumatic bliss of the North American way of life.  They have tried to teach you to compare your society’s ideas with Plato’s, its language with Shakespeare’s, its calculations with Newton’s, its love with the love of the saints.  Being dissatisfied with society is the price we pay for being free men and women.

That price we pay, of course, is something we choose for ourselves as scholars.  It is not something to be negotiated because scholars are not to be bought or sold.

Pamela Sidney: Reading “Last Letter”

Pamela Sidney last week in Melbourne, Australia read aloud Ted Hughes’s recently discovered poem about Sylvia Plath’s suicide.  She kindly sent us an email about the occasion, below:

I found the poem a dense one, complex when considering the relationships mentioned.

But soon sorted it out by referring to ’18 Rugby Street’ in particular, which was a great help.

I speak as one who has now read the poem in public – with the help of a male poet – Patrick Boyle – who read alternate pages 2 & 4.

Not having a lot of time to familiarise myself with the poem, I found it a hard read, in that it is emotionally dense.

In performing it I opted for a straightforward voice – keeping in mind Hughes and his down to earth manner.

I was surprised that all the poets in the room, some 40 plus, were unaware of the existence of the poem, and of course the time span of 30 years that it took to surface.

The audience clapped the reading warmly, but at the same time I could sense a silence, their minds still with the poem and its very stark ending.

I suspect many will want to get their own copy, for a first reading/ hearing it is almost impossible to take in the chaos and complexity of the situation as it was running through the mind of Ted Hughes – plus how he was processing his emotions and memories.