httpv://www.youtube.com/watch?v=xQycQ8DABvc
Today is Hegel’s birthday (posts here and here), so that’s as good a time as any to roll out this burnished little chestnut by Monty Python.
httpv://www.youtube.com/watch?v=47PGGjiLd54
According to the latest Frye Festival Newsletter, the Frye sculpture proposal has jumped from fifth to third place.
The top two finishers receive a $25,000 prize. That means the good people at the Frye Festival are very close to realizing this project.
Voting closes on Tuesday, August 31st.
You can vote daily for the sculpture here.
Latest Frye Festival Newsletter here.
Hegel is the central philosophical figure in Words with Power. In one of his late notebooks, Frye writes, “If Hegel had written his Phenomenology in mythos-language instead of in logos-language a lot of my work would be done for me. The identification of Substance with Subject-Spirit in the Preface is mythically the central issue of the Reformation, overthrowing the sacramental ‘spiritual substance’ of the Eucharist & replacing it with the growing Spirit that takes over the Subject.” (Late Notebooks, CW 5, 192). Later he writes, “The rush of ideas I get from Hegel’s Phenomenology is so tremendous I can hardly keep up with it.” (Late Notebooks, CW 6, 631)
The extent to which Hegel enters into Frye’s thinking as he was writing Words with Power and The Double Vision can be seen in the following selections from the Late Notebooks:
I suppose the whole book turns on the thesis that the spirit is substantial: it’s the realizing of primary concern out of the language (Word) of primary mythology. Only the total Word can make the spirit substantial. Everything else, including Marx’s critique of Hegel, is ideological. I don’t want to become a conservative Hegelian, and my goal is not absolute knowledge, whatever that is, but the Word & Spirit set free by each other and united in one substance with the Other detached from Nature and identified as the Father. This doesn’t subordinate the female: it wakens and emancipates her, Eros Regained in short. Jesus’ establishing of the identity of the other as Father is what makes him the definitive prophet. (CW 5, 9)
Perhaps I’ve been overlooking the narrative of, first, heaven and earth locked together in a sexual union, second, an Oedipal Son or Logos pushing them apart to form the world of consciousness-creation, third, this Logos growing, like the Begriff in Hegel, until Heaven and Earth reach the Tao balance as Father and Spirit. (ibid., 10)
If I’m right about the Word growing like the Begriff in Hegel [previous entry], the Phenomenology is an Odyssey as well as a Purgatorio climb. The Odyssey is the cycle redeemed, beginning & ending at home; the Purgatorio is the climb to polarization. (ibid., 11)
Hegel himself calls the Ph. [Phenomenology] a ladder (II.2.5). (ibid., 18)
Forms of spiritual growth: the father-soul and the mother-body (dying to) bring forth the spirit-child. I think this is alchemic. Odyssey pattern: the old beggar, least likely to succeed, growing in reverse of ordinary aging until he becomes not just master of the house but the body of the house. Hegel’s Begriff, the infant exposed and abandoned by the common-sense world, turning out to be the Prospero of the whole show. (ibid., 18)
I’ve often said that Hegel’s Ph G [Phänomenologie des Geistes] interests me deeply in itself, but not as a preface to Hegel’s system. This is linked on my part with my feeling that Moses was the only person who ever saw the Promised Land. The system is only a Prussian Canaan. (ibid., 19)
Frye appeared as a character (above) in Marvel Comics’ The New Defenders in a story called “The Pajusnaya Consignment.”
iO9, a science fiction blog (“We Come from the Future”), cites Frye in a post today: “How many definitions of science fiction are there?”
[Science fiction is] a mode of romance with a strong inherent tendency to myth.” — Northrop Frye.
Here’s Frye on “parallel world” science fiction:
I’ve been reading, more or less at random, in science fiction for varieties of the parallel-world conception which seems to me a possible exit from the present up-down mythical universal dilemma. Reincarnation is now being trumpeted as practically established scientifically; it isn’t, and I still think there’s a fallacy buried in it somewhere, but there’s probably a pattern it fits. I read the four volumes of Philip Jose Farmer’s “Riverrun” series, but they were a bust. Now I’m reading Zelazny’s two-volume “Amber” series, which at least has better patter. They seem to me a development of the Eddison series, where the ideal world is conceived as an archaic one, reminding me of Lawrence’s proposal that if men wanted to fight they should repudiate modern hardware, get into armor and have a good old heroic hack. Eddison isn’t quite as silly as that sounds, but his fantasy world is simply the old chivalric-romance one back again. We seem to be in an age of neo-Ariosto. (Northrop Frye Unbuttoned, 254)
Today is Hegel‘s birthday (1770-1831). He is simultaneously one of the most influential, widely cited philosophers and also one of the most daunting. Frye says in an interview with Imre Salusinszky in Criticism in Society that he enjoyed reading Hegel and was quite moved by the experience. He doesn’t mention that he first read (and seems to have wholly absorbed) Hegel at the age of 20. Here are a couple of selections on Hegel from Frye’s student essays written in the early 1930s:
The connection of Hegel with romanticism rests chiefly on Hegel’s own conception of the Zeitgeist as symbolic of the inner unity of the time-problem. He disliked romanticism because its idealism did not press forward into reality. His own chief interest, as well as his interest for posterity, centres on the strong impulse to unify and cohere to the spiritual side of life into a conception sufficiently clear to be recognized as the driving force of material. He wanted the idea to penetrate the innermost interstices of reality; and in this he revolted against romanticism because he attempted what they desired but shirked. He started out with Schelling, attacking earlier critical philosophers, notably Kant and Fichte, because their approach had destroyed the systematization resultant from the matching of subject with object. Like the romantics, he was necessarily a subjectivist critic; yet he hated subjectivity because he faced out to the world-as-idea and was bent on its idealistic conquest, a process easily ruined by introspection. Then he broke with Schelling because of the arbitrary and formalized schemata of that philosopher, which represented to him an immature and hasty jumping at conclusions. He wanted to realize idealism and idealize reality, and no one can attempt this without in some measure being answerable to the charge, when the approach is made from the ideal side, of having butchered facts to make a theorist’s holiday. (“Romanticism,” CW 3, 41-2)