Cross-posted in the Denham Library here.

Frye’s books continue to be translated into Chinese.  The most recent is a translation of The Secular Scripture (Shanghai People’s Publishing House, 2010).  Trans. Xiang-Chun Meng.  The other Chinese translations are:

 

Anatomy of Criticism

Piping de Pouxi.  Trans. Chen Hui, Yuan Xianjun, and Wu Weiren.  Tianjin: Baihua Literature and Art Publishing House, 1998.

Piping de Jiepou.  Trans. Chen Hui, Yuan Xianjun, and Wu Weiren; revised by Wu Chizhe and annotated by Wu Chizhe and Robert D. Denham.  Tianjin: Hundred-Flower Literary Press, 2000.

The Educated Imagination, Creation and Recreation, and The Well‑Tempered Critic

Fulai Wenlun Sanzhong [Three of Frye’s Critical Monographs]: Xiangxiangli de Xiuyang, Chuangzhao yu Zai Chuangzhao, Wenlian de Pipingjai (Trans. Xu Kun et al., rev. with a preface and annotations by Wu Chizhe.  Hoh‑Hot: University of Inner Mongolia Press, 2003.

The Modern Century

Xian dai bai nian.  Trans. Sheng Ning.  Shenyang: Liaoning Educational Press; Hong Kong: Oxford University Press, 1998.

The Critical Path

P’i ping chih lu: Lo-ssu-lo pu Fu-lai chu.  Trans. Wang Fengzhen and Min-li Chin.  Beijing: Peking University Press, 1998.

The Great Code

Wei da de dai ma: Shengjing yu wen xue. Trans. Hao Zhengyi, Fan Zhenguo, and He Chengzhou.  Beijing: Peking University Press, 1998.

Words with Power

Shenlide Yuyan: Shengjin yu Wenxue Yanjiu xubian.  Trans. Wu Chizhe.  Preface by Ye Shuxian. Beijing: Social Sciences Documentation Publishing House, 2004.

Selected Essays

Nuosiluopu Fulai Wen lun xuan ji [Northrop Frye: Selected Essays].  Ed. Wu Chizhe.  Beijing: China Press of Social Sciences, 1997.

Contents: “The Responsibilities of the Critic” / “Criticism, Visible and Invisible” / “The Search for Acceptable Words” / “Literature as Therapy” / “The Archetypes of Literature” / “Forming Fours” / “Myth, Fiction, and Displacement” / “Design as a Creative Principle in the Arts” / “Expanding Eyes” / “Literature as a Critique of Pure Reason” / “The Koine of Myth: Myth as a Universally Intelligible Language” / “The Symbol as a Medium of Exchange” / “The Mythical Approach to Creation” / “Conclusion” to Literary History of  Canada” (1965), / “Criticism and Environment” / “The Cultural Development of Canada” / “The Stage Is All the World” / “Literature as Context: Milton’s Lycidas” / “Blake after Two Centuries” / “Yeats and the Language of Symbolism”