Monthly Archives: August 2010

Miles Davis: “Kind of Blue”

httpv://www.youtube.com/watch?v=qlIU-2N7WY4

A live performance of the album’s opening track, “So What” — the tune that is to classic jazz what “Stairway to Heaven” is to classic rock

On this date in 1959 Miles Davis released “Kind of Blue,” the best-selling jazz album of all time.  Fifty-one years later and it still charts!  And why shouldn’t it?  Here’s the lineup: Miles Davis on trumpet, John Coltrane and Cannonball Adderley on saxophones, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums.

Oh, and each track is perfect.

After the jump, a 50th anniversary commemoration of the release of the album.

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Robert D. Denham: “Northrop Frye and Critical Method”

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Admittedly, not everyone cares that it’s Madonna’s birthday — compelling archetypes of ascent and descent notwithstanding — so we have another much more interesting treat in store.

Thanks both to Bob Denham and our very handy administrator Jonathan Cox, we have just posted Bob’s first book, Northrop Frye and Critical Method, in the Robert D. Denham Library.  We’ll have more to say about that as part of our official launch tomorrow.  But go and have a peek at it here.

Madonna

httpv://www.youtube.com/watch?v=12wP5W2R0wY

Madonna at her peak with 1989’s “Express Yourself”

Today is Madonna‘s birthday (born 1959).

This entire video is starkly based (as much of the best popular culture is) upon the archetypes of descent (or katabasis) and ascent.  Here’s Frye on katabasis in Frye Unbuttoned:

To descend is to pass through the chattering, yelling, gibbering world of the demons of repression to the quiet spirit below.  As Eliot says, contradicting the Sybill, it not easy to go all the way down.  To reascend is to bind the squalling demons into a unified creative power. (157)

Madonna, in this instance, seems to be cavorting at the top of the chain of being and undermining male authority with her unabashed sexuality, while also waiting for a beleaguered lover to find his way up to her, leaving a hellish world of darkness and violence behind.  Note that the declared intent of the song is not merely to encourage women to express themselves, but to insist that men do the same in order to secure a fully requited love.  This video arguably marks the dawn of Third Wave feminism as a force in popular culture: sex positive and confidently empowered.

I couldn’t find the identical video with the superior electronic remix of the song, but you can listen to it after the jump.

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New Frye Display at Moncton Public Library

Norrie's_typewriter,_possibly

For many years there’s been a room at the Moncton Public Library called the Northrop Frye room.  Various committees of the Frye Festival meet here on occasion, and we feel right at home.  Outside the room is a display case containing copies of Frye’s books.  This August we’ve added two items to the display: a clock and a typewriter that were originally the property of Frye’s parents.  We think it likely that this is the typewriter Frye used during his years at Aberdeen High School, in Moncton.  As such, until proven otherwise, it has the look and feel of a relic of the saint (to borrow a phrase from Michael Dolzani).

These items have survived and we have them on display at the library thanks to the care given them over the years by Earl Johnson, who as a young boy in the late 1930s was a next-door neighbour of the Fryes.  The library display includes an information sheet explaining Earl’s connection to the Fryes, which I’ve included a copy below.

Earl now lives in Middleton, Nova Scotia.  I visited him at his house on July 16, 2010, and brought back the typewriter, the clock, and a set of 6 books, Henry Coppeé’s The Classic and the Beautiful from the Literature of Three Thousand Years.  By the Authors and Orators of All Countries.  The books were given to Earl’s brother in 1940, with a note inside each book from Mrs. H.E. Frye.  Cassie Frye died in November, 1940, and is buried in the Elmwood cemetery in Moncton.  (The books will also eventually go into the display case.)

Here is copy of the information sheet included with the library display:

On Display is a Smith Premier Typewriter

Model No. 1, Manufactured in 1889

On Loan from Earl Johnson

Next-door Neighbour of the Fryes

From ca. 1936 to 1943

Earl was born in 1933, when his family lived on Dominion Street in Moncton.  Sometime in 1936 or 1937 the family moved to 22 Pine Street, next door to Herm and Cassie Frye, the parents of Northrop Frye.  Around the time of Cassie’s death in November, 1940, someone in the Frye household gave the typewriter, along with a clock and a set of books, to the Johnsons, hoping they would be put to better use.  Eventually they came into Earl’s possession, and he has kept them ever since, as a precious reminder of a long-ago time.  It is possible that Northrop Frye used this typewriter during the 1920s, while a student at Moncton High School.  Frye graduated in 1928 and that fall he studied at the Success Business College, improving his typing skills for possible future employment.  He was so good that on April 8, 1929 he competed in a national typing contest in Toronto.  On September 18, 1929 he left Moncton to study at the University of Toronto.  Though Northrop visited Moncton several times in the late 1930s, Earl has no recollection of ever meeting him.

After the jump, a photo of the clock.

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Macbeth

httpv://www.youtube.com/watch?v=4LDdyafsR7g

Ian McKellen as Macbeth: “Tomorrow and tomorrow and tomorrow . . .”

August 15th offers two significant and uncannily symmetrical Macbeth anniversaries.

On this date in 1040, Macbeth saw his cousin and rival, Duncan 1, killed in battle, making Macbeth King of Scotland.

Seventeen years later to the day, in 1057, Macbeth himself was killed in battle by a force led my Duncan’s eldest son, Malcolm III of Scotland.

Frye on Shakespeare’s Macbeth as one of the “tragedies of order”:

In each of Shakespeare’s three social tragedies, Julius Caesar, Macbeth, and Hamlet, we have a tragic action based on three main character groups.  First is the order-figure: Julius Caesar in that play; Duncan in Macbeth; Hamlet’s father.  He is killed by a rebel-figure or usurper: Brutus and the other conspirators; Macbeth; Claudius.  Third comes the nemesis-figure or nemesis-group: Antony and Octavius; Malcolm and Macduff; Hamlet.  It is sometimes assumed tht the hero, the character of the title-role, is always at the centre of the play, and that all plays are to be related in the same way as the hero; but each of the heroes of these three tragedies belongs to a different aspect of the total action.  The nemesis-figure is partly a revenger and partly an avenger.  He is primarily obsessed with killing the rebel-figure, but has a secondary function of restoring something of the previous order.  (Fools of Time, 17)

Saturday Night at the Movies: “Duck Soup”

httpv://www.youtube.com/watch?v=EGjx93yB0gMb

Given the state of our politics these days, this may be the perfect film to watch on this particular Saturday night. (Video not embedded: click on the image and then hit the YouTube link.)

The 24 year old Frye in a letter from Oxford to Helen Kemp relates a story involving a classmate, a somewhat addled aristocrat, and the Marx Brothers’ 1933 classic, Duck Soup:

The other night in the lodge our only sprig of nobility, the Honourable David St. Clair Erskine (one of our tame homosexuals as well) came in from the Dramatic Society’s performance of Macbeth and met Baine, who had just come in from seeing the Marx Brothers in Duck Soup.  The Honourable David St. Clair Erskine was tanked up just enough to be affable to anybody–when he woke up the next morning and realized that he had spoken to an American Freshman Rhodes Scholar to whom he hadn’t been introduced he probably went on the water wagon for life.  He said: “I enjoyed the show (meaning Macbeth) very much, didn’t you?”  Baine: “Very much (meaning Duck Soup).  “I remembered that I had seen it before, but I enjoyed it very well the second time anyway.” The Honourable D. St. C.E. (somewhat staggered): “I — I understand they didn’t get it all rehearsed in time, and are adding a few scenes at each performance.”  Baine: “Yes, I noticed it had been cut a good deal, but thought it had been censored.”  The Honourable Et Cetera: “I like the leading lady — she’s new to Oxford, but she did very well.”  By this time, there being no leading lady in the Marx Brothers picture, the first faint roseate blush of dawn began to appear in Baine’s mind, but he wisely decided the situation would be too much for the H. D. St. C. E.’s  bewildered brain to cope with at that point.  (CW 2, 702-3)

The rest of the film after the jump.  This is the Marx Brothers at their very best.  Many will no doubt be amazed just how many of the classic Marx Brothers scenes come from this one movie.  About the best way I can think of to spend 80 minutes.  As a bonus, this is also a pristine, high definition version of the film.  Enjoy.

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Sir Arthur Sullivan’s “The Lost Chord”

lostchord

On this date in 1888, one of the first phonograph recordings ever made, Sir Arthur Sullivan‘s “The Lost Chord,” was revealed to the press in London.

You can hear it here. It starts out a little rough but gets better: it’s a really remarkable experience to listen to a 122 year old recording.

Frye notes of the “lost chord” in “Music and the Visual Arts,” “Like Sullivan, [Mendelsohn] thought the diminished seventh was the lost chord.”

Diminished seventh on C here.