Monthly Archives: September 2010

Quote of the Day: “A warning sign here in Canada”

httpv://www.youtube.com/watch?v=ZKTfaro96dg

Waiting for Superman trailer

Bill Gates, who’s retired from Microsoft and is donating billions of dollars to promote education, is at the TIFF for the premiere of his film Waiting for Superman.  Here’s an excerpt from an article in the Toronto Star:

The candid panel discussion that followed — which included Guggenheim, superstar educational activist Geoffrey Canada, and Microsoft co-founder and billionaire philanthropist Bill Gates — turned up the voltage on an already powerful film.

“The power of this movie is partly why I’m optimistic about change on this issue,” Gates, who is interviewed in the film, told the crowd at the packed Winter Garden Theatre.

“Waiting for Superman” follows a handful of children and families in public schools across the country. Despite decades of promises by politicians that no child will be left behind, drop-out rates are sky-high and many children fail to learn even the basics. The film details how the system has been paralyzed by complacency, a bloated bureaucracy and powerful teachers unions. It also follows activist educators who are desperate to make changes, especially in inner city schools.

In 2006, an international survey ranked the U.S. at 25th out of 30 developed nations when it comes to teens’ proficiency in math and science. Canada took the fifth spot on the same assessment.

“Use us as a warning sign here in Canada,” producer Lesley Chilcott said. “My understanding is things are starting to slip here.”

Allan Bloom

httpv://www.youtube.com/watch?v=-15fOEovI0o

Allan Bloom on The Closing of the American Mind.  (The rest of the interview after the jump.)

Today is American philosopher Allan Bloom‘s birthday (1930-1992).

Frye does not mention Bloom by name, but he is clearly referring to The Closing of the American Mind in “Some Reflections on Life and Habit”:

Our present mood in regard to education, however, is past-centred rather than future-centred, and is more inclined to ask, Are doing as well as we used to?  This is mainly a reaction to elementary and high school educators who do not understand why we should transform our environment by reading Shakespeare when we can so easily adapt to it by reading Stephen King.  I was recently looking through a book that has been on the bestseller list for a long time, and which propounds the thesis that students have been cheated out of their education, socially and morally as well as intellectually.  I thought, in reading it: somebody writes this book every ten years; I have lived through four or five cycles of similar protests, and have in fact contributed to some of them. . . Some books are often, like this book, warmly received and are accompanied by a feeling that something should be done.  Nothing is ever done, so there must be something that the protest has failed to reach.

Two points occur to me in this connection.  One is that there is seldom any recommendation for action in this field except to prod the educational bureaucracy. . . The other is that what the public picks up from such books is what literary critics call a pastoral myth.  The past was a simple time, the myth runs, when things were a lot better, so let’s get back to them.  But just as the future does not yet exist, so the past has ceased to exist, and an idealized past never did exist.  I distrust all “back to basics” slogans because I distrust all movements that begin with “back to.”  (CW 17, 348)

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Quote of the Day: “Everyone’s Replaceable”

httpv://www.youtube.com/watch?v=W4q-XzrlPe0&NR=1

Rush Limbaugh: “Not replaceable” — but steelworkers, teachers, nurses and everyone else can go eff themselves

The irreplaceable Matt Taibbi takes on radio sportscaster (that’s Sports. Caster.) Colin Cowherd, who uses a silent NFL players protest as an opportunity to trash the union movement generally and to declare (seriously) that, Simon Cowell and Rush Limbaugh excepted, “everyone’s replaceable.”

Here’s Taibbi:

Almost everyone who has a job is economically “replaceable,” but shit, outside an Ayn Rand novel, there’s more to it than that. Does it make economic sense to fire the auto worker who mangles his hand in the factory machinery and bring in a younger guy with all his fingers? How about the secretary who refuses to fuck the boss, isn’t she replaceable? Couldn’t we put her ungrateful ass out on the street and bring in another, hotter girl to do the same job at the same price? How about a teacher who refuses to pass his failing students on to the next class? How about the worker on the oil rig who complains about his company’s safety procedures? The aforementioned steelworker who gets a little too old and becomes too much of a liability to the company health plan? The government civil servant who turns whistleblower?

Yes, Colin, you spoiled little fuckhead, we can replace all of these people. After all, you’re right, none of them are truly valuable, at least not like Simon Cowell or Rush Limbaugh, anyway.

But we don’t always replace them, because some people in our past spent generations fighting to push us up above the level of savages. Unions aren’t perfect, and they don’t always pick the right causes to fight for, but they have to exist precisely because the vast majority of workers are replaceable, which is to say not special, which is to say vulnerable. Not that Cowherd would have any reason to know this, but that’s what a “job” is, as opposed to what he and I both have, careers — a job always involves shelving your own personal creativity and ambition to at least some degree, in order to push someone else’s idea along for a while.

Michelangelo’s David

On this date in 1503 Michelangelo began work on his statue of David.

Frye in “Design as a Creative Principle n the Arts”:

In reading Cellini’s autobiography we can see how the well-trained artist of that day was ready to switch from a commission in the “major” arts to one of the “minor” ones and back again, with no loss of status or feeling of incongruity.  We think of Michelangelo as dwelling on the loftiest summits of the major arts, but Michelangelo too had his handyman assignments, such as designing the uniform of the Papal Guards, in which he acquitted himself indifferently but not incompetently.  (CW 27, 228-29)

Quote of the Day: “Do we think no Muslims died in the towers?”

Alissa Torres, a 9/11 widow, on the “Ground Zero Mosque” in today’s Salon.

Money quote:

What did I think about the decision to construct a “mosque” this close to ground zero? I thought it was a no-brainer. Of course it should be built there. I sometimes wonder if those people fighting so passionately against Park51 can fathom the diversity of those who died at ground zero. Do we think no Muslims died in the towers? My husband, Eddie Torres, killed on his second day of work at Cantor Fitzgerald while I was pregnant with our first child, was a dark-skinned Latino, often mistaken for Pakistani, who came here illegally from Colombia. How did “9/11 victim” become sloppy shorthand for “white Christian”? I wish someone would put out a list of all the ethnicities and religions and countries and economic levels of the victims. For all the talk of “remembering 9/11,” I wonder if we’ve missed the patriotic message entirely.

For the record, hundreds of foreign nationals from 90 countries died in the twin towers; Canada alone lost two dozen citizens.  It doesn’t mean that this was not primarily an American tragedy.  It simply means that this was a shared tragedy.  No one included in the loss should be excluded from the possibility of reconciliation, whatever the shouters who wrongly insist that “3000 Americans died that day” have to say about it.

Saturday Night at the Movies: “Triumph of the Will”

httpv://www.youtube.com/watch?v=GcFuHGHfYwE

This past week we’ve had a look at some of Frye’s observations on fascism, and tomorrow is a couple of Hitler-related anniversaries, so tonight is a good time to post Leni Riefenstahl’s propaganda extravaganza Triumph of the Will (with English subtitles).

Here’s another excerpt from Frye’s remarkable, unfinished 1943 essay, “The Present Condition of the World,” where he once again considers analogies between Nazi and North American society; in this case, the incidence of propaganda.  As before, the relevance of these insights to current events is startling:

. . . .[R]eliance on sense experience emphasizes the receptive and passive aspects of the mind and minimizes its active and creative power.  Hence America is a happy-hunting-ground of all forms of advertisement, propaganda, and suggestions.  Advertising and “publicity” are based on the fact that sense experience is involuntary and on the assumption that the mind does not possess enough selective power to resist a large number of repeated impressions.  The synthetic entertainment provided by the radio and the movies is based on the normality and predictability of the public responses to certain stimuli.  Education is loaded with an apparatus of magical systems and methods which are supposed to inscribe significant patterns on the students’ tabula rasa.  It is important, too, to notice what a superstitious belief the average American has in the power of Nazi propaganda over the German mind: that is, he thinks of it as a mysterious poison which has seeped into the brain and is now impossible to remove, rather than as an unnatural hysteria kept up artificially by a continuous external pressure.  It is important too, especially in Canada, to notice how closely this passivity of mind is associated with political apathy, a tendency to think of the government, not as the paid officials of the people, or even as merely a few more average and indifferently honest Canadians, but as an anonymous “they,” a group of Norns who sit in Thule waging war and rationing coffee.  There is much less of this in the United States, but the impact of peace may revive it; and if it does, the danger that propaganda in favour of democracy will be reversed to propaganda in favour of inspired leadership is by no means a mere intellectual’s nightmare.  (CW 10, 212)

Seven Minutes of Silence

httpv://www.youtube.com/watch?v=0rO3F6mZUaE

This is of course a terrible anniversary.  Above is Michael Moore’s recounting of the seven minutes of silence which captures both the negligence and the ineptitude of the Bush administration on all fronts.

Remember: the administration’s national security team, Condoleeza Rice most especially, spent that entire spring and summer ignoring repeated and increasingly urgent warnings. As then FBI Director George Tenet put it, “The system was blinking red.”  Just a month before the attacks, Bush dismissed his CIA briefers after being presented with the infamous August 6, 2001 President’s Daily Brief, saying, “Okay, you’ve covered your ass.”

What were the priorities of the Bush administration between January and September 11, 2001?  More than a trillion dollars in tax cuts heavily favoring the richest 1% of the population.  The convergence of those tax cuts and the events of 9/11 led directly to an unfunded “war on terror” which has left the U.S. staggered and a significant portion of its population on the verge of blind rage for the hardship that has befallen it.

This is why non-partisan reporting matters.  You’d be unlikely to know any of this if your primary source of information were Fox News.

TGIF: Tina Fey

httpv://www.youtube.com/watch?v=__M7G3qxCcE

“The Sarah Palin Network”

You know how people always say that they find intelligence and a good sense of humor sexy, but then it turns out that they don’t?

Here’s some much needed proof that it can happen.  Tina Fey.  She has got to be, on any given day, one of the funniest, smartest writers and performers drawing breath and delivering the goods.  (Fifth season premiere of 30 Rock — easily the best comedy on network television — is September 23rd.)

Above is her latest incarnation of Sarah Palin, which is still very funny, and while the performance does not include Palin’s cold misanthropic glare, it captures the goofily entitled and unendearing self-assurance of someone who needs to do some serious self-examination.

After the jump, Tina’s classic SNL commercial parody, “Mom Jeans.”

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